/hisrol/
Crater Abyss [Cap:5]
Sodalite-81dad5 Rolero
Crater Abyss [Cap:5]
Crater Abyss: [Episode V - A Song of the Hidden]

1d20 = 15
"Long before the kingdoms whose names now fill the maps existed, before men raised walls or sages learned to measure the passage of seasons, there was an era so remote that even the stones seem to have forgotten it. The elders tell that in those days the world was different, not because its mountains were different or because the seas occupied different shores, but because existence itself seemed to breathe in a different way. Winters lasted entire generations, forests grew to hide the horizon, and storms could remain over the same region for years without moving a single step. It was a time when creatures were born, lived, and died without ever understanding who truly ruled over them, for the power of the Archking Generalissimo Demon was so ancient that it seemed to be part of the natural laws of the world. Just as no one questions the existence of the sea or the arrival of night, no one questioned his dominion. He had been there since before memories, since before genealogies, since before the first songs."

"The tales describe him as a tyrant of inconceivable cruelty, but also as a figure so immense that it is impossible to distinguish where the ruler ended and his empire began. His fortresses spanned entire continents, his armies numbered in the trillions, and the three great slave races lived under a servitude that had lasted so long that many had forgotten even the idea of freedom. Children were born slaves, grew old as slaves, and died as slaves, while their grandchildren inherited the same chains. However, the old tales contain a strange contradiction that storytellers often mention without dwelling on it too much. If the Archking was as powerful as the legends tell, if he truly ruled over all known creation, then why did the world still exist? Why did cities keep growing? Why did rivers keep flowing and peoples keep multiplying under his shadow?."
>Pappipon the Chronicler.

https://youtu.be/7zwbAWq5HoEThe wind descended from the northern mountain ranges, carrying with it the cold of snows so ancient that no kingdom remembered when they had begun to cover those peaks. It flowed down the gray stone slopes, passed through coniferous forests whose trunks seemed like columns holding up the sky, and finally spread over the immense steppes that occupied the heart of the continent. There, the grasses swayed, forming yellow waves under the golden light of dawn, all leaning in the same direction as if obeying a silent will. From a distance, that vegetal ocean seemed infinite, broken only by dirt roads, small walled settlements, and the long columns of smoke left by caravans crossing the vast plains. However, none of that truly captured the gaze. Every traveler, every shepherd, every merchant, and every king ended up observing the same point on the horizon. There, where the land seemed to touch the heavens, stood a structure so colossal that it was impossible to calculate its size. A black tower, wider than many cities, pierced the clouds and disappeared among them, rising to heights where not even birds dared to fly. For countless generations, that mass had dominated the landscape. The living were born in its shadow, grew old watching it from afar, and died without ever understanding who had built it or for what purpose. It was so ancient that many considered it part of nature itself, as inevitable as the mountains or the seas.

"Slaves were born seeing that silhouette. Slaves died seeing that silhouette. And their children did the same. Its presence was so ancient that no one remembered a world without it."

As the wind continued to sweep across the steppes, something else began to stir. Animals were the first to notice. Large herds abandoned territories where they had remained for centuries. Birds altered migratory routes known since time immemorial. Wolves howled for entire nights, staring at clear skies where there was no moon. Fishermen returned terrified, claiming the sea remained motionless for hours, as if something gigantic were breathing beneath its waters. The elders began to have identical dreams. They dreamed of distant trumpets echoing beyond the clouds, of roots stirring beneath the earth, and of something immense moving in the darkness of a place no man had ever seen. The wise debated. The priests performed sacrifices. The rulers sent messengers. No one could understand what these omens meant. Meanwhile, the three great slave nations continued to do the only thing they had done for centuries: hate each other.
"Like idiots, we hated each other just like before."

Fortresses burned on the borders. Slaves died defending mountains whose names would be forgotten a generation later. Disputes over rivers, mines, and trade routes consumed thousands of lives each year. The slave kings exchanged threats, alliances, and betrayals while, above them all, the Archking Generalissimo Demon continued to rule, his authority extending over the entire world as naturally as winter spreads over the land when its season arrives. No one truly questioned his dominion. Some hated him. Others revered him. Most simply accepted that he had always been there. Fathers taught their children stories of his conquests in the same way they taught them the names of the stars or the course of rivers. It was a reality so ancient that it had ceased to seem like a choice.

Then the skies changed.

It didn't happen all at once. First, the stars disappeared for one night. Then, luminous cracks appeared between the clouds. Later, the trumpets arrived. Their sound swept across entire continents without anyone being able to pinpoint their origin. It didn't sound like a melody. It didn't sound like music. It sounded like a warning. Like the announcement of something inevitable. The oceans began to churn. The mountains trembled. Even the great Tower seemed to cast a different shadow under the sunlight. And then happened that which no chronicler managed to describe adequately. The firmament split open. Not like a storm breaking the clouds or lightning tearing the air. It was more like a wound, like a mirror shattering. An impossible fracture spreading across the sky. From that opening descended a single hand of light whose magnitude defied all comprehension. The slaves fell to their knees. The animals fled. The priests wept. And the hand pointed to three specific individuals in different parts of the world.
"What they received that day, no one knows for sure. The tales speak of a Soul. The temples speak of a blessing. The songs speak of a strength.... But others say they were simply more chains. But whatever the truth, something changed within them. The slaves began to lift their heads. The peoples began to remember grievances they had endured for generations. Resignation vanished. In its place appeared a fierce will that spread through cities, villages, and fortresses like a fire fueled by centuries of accumulated suffering. Thunder rumbled over the steppes. Hundreds of kilometers away, entire armies advanced. Millions of steps. Millions of spears. Millions of men convinced they understood what they were fighting for. Banners waved under blackened skies. Bonfires lit the nights. Thus began the rebellion. The following decades transformed the world into an immense tomb. Fields were covered with corpses. Walls crumbled. Entire forests disappeared under fire. Rivers carried more bodies than vessels. Every victory cost thousands of lives. Every defeat demanded even more sacrifices. Children grew up hearing the sound of war drums. The elderly died without ever knowing peace. Yet, generation after generation, the armies advanced. Slowly. Painfully. Like a tide impossible to stop."

"Each victory demanded a greater one. Each defeat justified a worse one. Entire cities disappeared under fire. Ancient forests were turned to ash. The oceans filled with the wreckage of fleets so vast they seemed like continents floating on the waves. And still they continued to advance. Step by step. Death after death. Oath after oath. The war dragged on for entire generations. Many of the soldiers who left at the beginning never lived to see the outcome. It was their children and their children's children who continued to fight. And when finally the three kings reached the heart of the enemy empire, they found the Archking waiting."
No.1661
Sodalite-81dad5 Rolero
>>1661

https://youtu.be/G_nvCi5oSWQAnd finally they reached the Tower.

The sky was covered by black clouds that spun around the structure, forming a gigantic vortex. Lightning streaked the horizon. The wind roared among the stones. It seemed as if reality itself held its breath. There, at the highest point of the known world, the Archking awaited. Not surrounded by armies. Not protected by walls. He waited alone. The three Heroes, the three Slaves ascended to him.....

"Legends never describe the final battle in detail. It's curious. They talk for entire pages about military campaigns, about generals, about sieges and catastrophes, but when the decisive moment arrives, everything becomes diffuse, as if even the world's memory refused to directly observe what happened. The only thing that remains constant among all versions is the ending. The Archking was defeated. He was wounded. He was alone. He was on his knees before those who had been his slaves. And yet, he showed no fear."
>Pappipon the Chronicler.

The war had ended. The tyrant had been defeated. Everything they had fought for was within their grasp. Then the Archking began to laugh. And the more he laughed, the more uncomfortable the silence surrounding him became. It was not the laugh of a defeated man. It was not the laugh of a madman. Not a laugh of despair, but a more genuine, deeper, almost paternal laugh, like that of someone watching a child make a mistake whose consequences they do not yet understand. It was the laugh of someone witnessing a tragedy that others are not yet capable of seeing. The victors spoke, demanded answers. They demanded explanations. They demanded surrender. They demanded that he acknowledge his defeat. But the more they spoke, the more he laughed. He responded by pointing to a place none of them could see, and then he spoke.
"He spoke a final word. No one knows exactly what it was. Each culture preserves a different version. Some claim he called the gods liars. Others that he accused the heroes of arrogance, etc etc... but that sounds as childish as it is fantastical, like someone making up a story... No, he had said something else, more precise, more sincere... Perhaps he spoke of something that slept. He spoke of something that waited. He spoke of mistakes that could no longer be corrected. But the slaves who had sacrificed entire generations to reach that point were not willing to listen."

"The swords descended."

"Blood touched the stone."

"And the whole world fell silent."

"Not even the wind blew."

"Not even the sea moved."

"Not even the birds sang."

"For an impossible instant, it seemed that all creation stopped. A silence so absolute that it seemed to have existed since before time."

"Then came the light."

"Brighter than the sun. Brighter than fire."

"Brighter than anything that had ever existed."

"It descended upon the Tower."

"It descended upon the kings."

"It descended upon the gods."

"It descended upon reality itself."

"And as all creation disappeared under that impossible radiance, the shadows of the great Tower began to sink slowly into the depths of the world."

"The"

"Blink"

.......

"The tales describe that the whole world fell silent. An impossible silence. The wind stopped blowing. The waves stopped moving. Even fire seemed to freeze. Then a light appeared. It did not descend from the sun. It did not arise from the heavens. It did not come from any recognizable place. It simply appeared. A clarity so intense that it made any other source of illumination seem like darkness. The gods themselves tried to stop it. They tried to stop it and failed. It pierced mountains, seas, fortresses, souls, and memories with the same ease that rain pierces a spiderweb. Everything disappeared. It was not destruction nor an explosion. It was something worse. Existence itself was erased for an impossible instant to measure. And when it reignited, the world was no longer the same."
>Pappipon the Chronicler.

"The one who was born from the earth"

1d20 = 13.... ay
No.1662
Sodalite-81dad5 Rolero
>>131372
>>131343
>Eirim & Gerardo.
https://youtu.be/BgSCiMKG5EM-The humidity was so intense that drops of water fell from their foreheads as if they were sweat, and the mist from the inverted waterfall accompanied everything with its loud roar. Seeing how this being of will had been trapped beneath your prayers, you approach, placing your hands against the shield surrounding Khris, and push with your single foot. You strain, manage to shift it slightly, but your foot slips repeatedly on the damp, blood-stained stone floor of the bridge.

-Then Pupus moves to your side, placing both of his hands (without his gauntlets) against the shield, and starts pushing alongside you. You notice how, gradually, the Sphere of Faith begins to roll toward the edge.

>Pupus
"Come on..."

-But then Khris starts moving his legs... Tensing the muscles, he takes one step, then slowly another. You both realize it's becoming harder to turn the sphere, yet you keep pushing even as it stops rotating—until suddenly... he starts running, like a hamster inside its plastic ball (assuming they even knew what plastic or a hamster was).

>Pupus
"Shit, shit!"

-Pupus tries to grip the shield tightly, but you both feel the sphere start to slip from your hands, spinning in the opposite direction. The bastard was running, and slowly, you begin to feel the sphere advancing toward you, gaining speed, causing... BURNING. Before you realize it, both you and Pupus are screaming as your hands start burning from the sphere's extreme friction. You let out a cry of frustration—so close, so damn close—and yet he's overpowering you by sheer force. Your one leg can't hold anymore, much less your hands, which burn so badly the skin begins to tear and peel. Then Khris breaks free, slamming into both of you like bowling pins. Though you had slowed him down, the impact barely hurts—almost nothing.

-You fall to the ground with Pupus, who quickly gets up and helps you stand. But when he grabs your hand, he winces—his palm completely stripped of skin. As you finally rise, you see Khris' sphere rocketing back toward you at full speed, slamming directly into Pupus' body, then rebounding for a third strike. I'm writing it this way because I realized I messed up the turn order; fixed by bullying Pupus.

-But while this was happening...

-The sounds of the swamp—the frogs, the insects, the waterfalls... all that Shrek-like peace—was shattered by sheer ultraviolence. You could hear grunts of exertion cutting through your little smoke break, followed by a grotesque, ear-splitting scream that left you stunned. No doubt about it—those two were getting wrecked.
-The smoke from the weed floated in the air, fading into the heights, and you thought about past shenanigans and future troubles, like the fact that when the others came back and saw their two healers were gone, they'd definitely do "That Thing" to you. But for the sake of your "comrades," or maybe to your own detriment, there was a bit of camaraderie in your heart—maybe you were softer and gayer than you let on. The little runes rattled in their pouch as you pulled them out, and now with determination restored, you finally step onto the bridge. You couldn't run forever.

-As you strut forward like a diva, because what you're wearing isn't a robe, it's a dress kek, your right hand moves, arranging the rune pattern.... A faint light gently illuminates each letter carved into bone; you write the words and hear "shadows" whispering in a language you don't understand, circling your body, surrounding your flame..... Then suddenly, they all fall silent, and slowly, a Hand begins materializing before your eyes—semi-transparent, pale green in color. It looked like your own hand, just as thin and delicate, though proportionally a bit larger. As this happened, with your other hand, using the ring, you start tracing the rune symbols in the air, writing a message in a "DisneyChanel" style, and the shadows of the trees swirl together into a figure that gradually takes on your exact image and likeness.

-With that, you touch the bridge.... And immediately notice how Khris (who was trampling Pupus) stops dead in his tracks, his face instantly turning to stare directly at you. His gaze was fixed, stern, yet clearly lifeless. It was like those boxers who lose consciousness but keep fighting, so that by the time they're stopped, you realize they'd actually died minutes ago, and only their body kept moving on pure reflex—like frog soup. You, with your army of another krikoso and your handjob hand, point at him and speak your words, but he doesn't react.

>Pupus, all beaten up.
"G-Gerardo"

>He struggles to get up, and looks at Eirim, because she's telling him her plan.

>Pupus
"Alright... I can make one more shield, but that's the last one I've got.."

"So we need to put all our strength into pushing him back"

-And speaking of shields.

https://youtu.be/xV4pZgTe94E
>Khris
"....."

The shield runs out of time

":^)"

-This all happens in three frames, but Gerardo sees how, in the blink of an eye, he goes from being relatively far away from Khris to having him practically on top of him. In an instant, you feel your chest cave in—not from a punch, just from a slap. Your ribs stretch too far, too fast, and you hear CRACK as they snap, yet without letting you feel the pain of bones piercing your corroded lungs PLAFFFFFF Your entire back slams against one of the stone pillars of the bridge.

>Pupus
"GERARDO!"
-Rapidly, a shield surrounds Khris, preventing your existence from being ended, and Pupus runs toward you.

-You can't breathe. All the air from your lungs had rushed out so fast that when you exhaled, you only vomited blood, and your back was so shattered you could barely move your legs. But the pain from the internal damage was so intense you couldn't even whimper—just lie there, completely fucked up.

>Pupus
3d8 = 18

"Come on, come on, don't you dare leave..." I don't ask if you're okay, for obvious reasons.

-Pupus grabs you carefully and starts passing his glowing hand over your chest. He wasn't healing you completely, but at least cauterizing the bleeding that was drowning you alive. But just because he stopped the bleeding didn't make it better. Once your internal wounds closed, preventing death by drowning or blood loss, your body shifted priorities—once mortality was no longer imminent, it gave full access to the pain, immense pain throughout your entire body.

-After the intense shock of pain caused a violent muscle convulsion, you manage to recompose yourself—at least Pupus helps you get back up. And while this happened, Eirim began praying to regain Faith in this uneven battle. Your hands clench tightly, bleeding slightly from the lack of skin after being burned in the previous turn. Your pleas into the air go unanswered, but that wasn't the point of praying—they were meant to feel... to feel the observers.

-You feel their judging eyes upon your soul, renewing the faith in your body. your die roll was +7, but I'm adding +5 because you didn't account for the fact that your Faith is now 25. And when you open your eyes, you see the battle: Pupus helping Gerardo (completely beaten up) with a clone in good condition and a magical hand pushing against Kristoval Columbus. There were many of them—maybe not very strong individually, but their numbers were overwhelming, and everyone knew quantity beats quality. Maybe that was the strategy all along—not to be the strongest individually, but to be so numerous they'd overwhelm their forces.

-Gerardo, using his telekinetic magic, managed to push Khris back—hard, quite far—while Khris was trying to advance, but your magical hand and your clone together were exerting a considerable amount of force. Khris was now dangerously close to the edge.

-Eirim had prayed many times throughout his life. In the mornings, at night, during rainy days, and during this time in the abyss. Prayers for injustices, prayers for guidance, prayers of gratitude... prayers to revitalize his Faith—sometimes receiving nothing in return, but always to feel that companionship, those eyes watching him. But this time, seeing this overwhelming difference in power, for the first time, he closes his eye tightly, crouches down, rosary gripped tightly in hand, and begins to pray... begins to beg, beg for divine help, for aid from the observers.
-But you knew they couldn't interfere in the lives of their mortal subjects beyond their blessings, which accompanied you as direct proof of their existence. But before you could surrender to the sin of despair, you open your eyes upon noticing, not one, but two alchemical circles of light drawn on the ground before you. A strong light bursts from these circles, with letters from the old testaments written along their edges. The light shoots upward into the swamp's sky until it violently collides with the ceiling of this pit.

-And you, with your one loyal eye, see how the observers had seen you, had heard you. Two figures manifested in the light, two heads, as radiant as sacred ones, winged at the nape, and skin as smooth as an angel's.... Because they were, their luminous aura told you so—these were beings of light, sent from paradise to aid you in this moment.

-Hallelujah!

Cherub
HP: 45/45
Evasion: 9/9
>Flash: {3d3} (Its normal attack)
>Scrutiny: {1d6} No guilt, fear, or sin escapes its eyes. On its next turn, its judgment manifests as 1 or 3 additional attacks against chosen enemies.
>Radiance: Constant source of illumination.
>Self-Immolation: {1d30} Sacrifices itself by exploding.
>Empyrean: Immune to bleeding, hunger, poison, cold, thirst, lack of oxygen, and deception.
All physical action dice are -5.

-But while Eirim achieved a level of sanctity beyond the limits allowed for an aberration against nature, of dark heart but luminous soul, Gerardo, Pupus, The Hand That Sees, and GerardoChafa were pushing against Khris's shield.... And they were overpowering him. At first their hands burned slightly, but with so much friction, a point came where the shield couldn't stop rotating, and began to be dragged, slowly.

35 vs. 23 you win by a large margin.

-He was close, very close to the edge, and it seemed Khris was realizing that too. Just a little more, they needed to push just a bit further, but then Khris started running and.... 27 vs. 30 Wrong! https://youtu.be/j14nvAgkc5Q. Slowly the shield begins to roll back, and you all start burning your hands, until suddenly with a single strike to the shield, he hits all of you at once, knocking you down to the ground. Only Gerardo had escaped that blow, since he had stepped away to suck out all... the muckagic, clearly, from this Khris.

-You stretch your arm in his direction, and you feel the immense power of this homie, and although in another fight your wasted turn would've been utterly pointless, since a non-mage/cultist/monk has no Faith/Alk or any method of contacting the beyond... Khris had some Alk, little, but he had it—quite surprising for a warrior to have taken the time to study and manage to store even a bit of Alk within his rotting mind.

Pupus
"Gerardo... Thanks for not leaving us behind"
No.1663
Sodalite-81dad5 Rolero
>>1663
Khristopher Robin cerca del borde: 87/120

Khristopher Robin
Here ends the shield
>t1 against Eirim.
1d20+5 = 18 5d7 = 23
>t2 against Pupus
1d20+5 = 6 5d7 = 24
>t3 against Gerardo 1d2 = 1
1d20+5 = 10 5d7 = 11

Pupus
>t1&t2 He doesn't care at all, tries to push him although now it's harder without shield, because, if not, at least he'll kill one.
1d20 = 12
1d20 = 15
>t3 prayer
1d5 = 1
No.1664
Autunite-f399c1 Rolero
>>1664
>t3 contra Gerardo
>1d2 = 1
>5d7 = 28
No.1665
Hyalite-1a28ea Defecto y Error
I reply, leaving this here again for easy access.
>Name
Eirim the little nun

>Convent Healer lv3
Roll 4 dice during first aid turns (all with +5) (choose the highest), OR roll 2 and add them. You can improvise treating serious wounds without bandages or medical kits. You can resuscitate and even operate. You know how to use medical tools and basic medicines. The only thing you can't heal is death—and not even that, really.

>Healing Light lv2:
Through your prayers, your hands glow with a healing aura (recovers only light and moderate physical damage) {3d9} [3 Faith]

>Purging Light lv2: You launch a sacred light that purges the souls of your enemies {3d7}, paralyzing them for 1 turn [7 Faith] Sacrum Lumen!

>Devotion Aura lv1: You grant a blessed aura to an ally (+3 evasion and magic armor) [2 Faith]

>Sacred Shield lv1: You generate a shield around yourself or a target (grants immunity for 3 turns) [8 Faith]

>Judgment of Absolution lv1: You judge enemies with compassion and mercy, giving them a chance to redeem themselves by converting part of their dealt damage into healing for their target (converts 45% of damage dealt into HP) [costs 10 Faith]

>Cry of Repentance lv1: You emit a sacred cry that moves the hearts of enemies, making them regret their actions and reducing their will to fight for a time. (lasts 5 turns, cannot be used again on the same target) [costs 13 Faith] For obvious reasons, it doesn't work on soulless beings

>Circle of Redemption lv1: Creates a circle of light that grants nearby allies the ability to purify their own wounds, gradually restoring their health over an indefinite period. {1d5} each end of turn [costs 16 Faith]

>Forces of Heaven lv1
Summon celestial beings to descend onto the battlefield and aid allies with divine strength. Roll 1d5: on 1-3, only 1 Cherub appears. On 4-5, 2 appear.
--
HP: 45/45
Evasion: 9/9
>Flash: {3d3} (her normal attack)
>Scrutiny: {1d6} No guilt, fear, or sin escapes her eyes. On her next turn, her judgment manifests as 1 or 3 additional attacks against chosen enemies.
>Radiance: Constant source of illumination.
>Self-Immolation: {1d30} sacrifices herself by exploding
>Empyrean: Immune to bleeding, hunger, poison, cold, thirst, lack of oxygen, and deception.
--
>Judgment Lv1
"The eyes of the Watchers open, and thus, penance falls." Instant photon attacks strike down, judging the condemned. The Priest rolls a {1d10}; the result determines how many attacks the victim receives. Each hit removes 5% of the enemy's vitality (so if it rolls 10/10, the target loses half their HP in one attack). These attacks never miss, because one cannot escape their heresies. Because it's percentage-based, the second use will be much weaker. Can only be used twice.

>Prayer: Recovers Faith {1d5}

HP: 100/100
Evasion: 11
Faith: 25/25
>-5 to athletics
>+5 to exploration
>Raised in the Convent "Las Garcitas"

INVENTORY
>Nun's Robe of the Watchers
>Observer's Rosary
>Fists {1d3}
>A crutch {3d2}
>Thurible: [Increases prayers to {1d12}, and +4 to healing]
>0 gold
[[游戏副本]]Bell
>That diary

>Name
Wes the Moon Worshipper

Skills:
>Adapted to Survive lv3:
Living in such precarious conditions has prepared you for all situations through improvisation; roll 3 dice on all actions or 1d70.
~
>Shit Thrower lv1: Throw feces at your enemy, causing them to miss attacks more and lowering their morale {1d20} [-4 Precision]
~
>Play Dead: You fake death so perfectly that no one notices you're alive and they ignore you.
~
>High Metabolism: Food heals you more, and poison ends faster.
~
>Desperate Charge lv1: A frenzied, powerful attack that sacrifices defense for a devastating blow (you cannot dodge) {+15 damage}
~
>Knife Duel to the Death lv1: Intense focus on a single opponent, ignoring distractions and attacks from other enemies. (You can only fight one enemy until they die; the ability ends only then) {+3 damage, +3 precision} One use only
~
>Cockroach Determination: No matter how many times you're crushed, you'll rise again—a will unbroken to survive and overcome any obstacle, no matter how insurmountable. If you die, you may return from death once.
~
>Desperate Resourcefulness: Ability to improvise weapons and tools from everyday objects, or to find improvised shelters and resources {1d20}
~
>Resentment lv1: A powerful but desperate attack that grows stronger the more wounded the Damned is {1d20}
~
>Ass Sees Ass Wants lv1:
To survive in misery, one must learn various techniques on their own. But no one lives long enough to decipher all the world's mysteries, so sometimes you must copy those who discovered them first. You can imitate a technique or attack used against you, but it will have 50% of its effectiveness (except it never fails). Can be used once for now.
~
>Never Surrender
When all seems lost... You see its glow. A shock of adrenaline hits your heart. The Moon gives you the determination to fight one more time—not reviving you, not healing you, but granting enough strength and courage to give everything. You have 1hp, but enemies must hit you (only physical damage). Your Evasion increases by 4, Precision by 6, Damage by 4, and you make two attacks per turn. Can only be used if you've already revived once, cannot be healed, have no skills, and your HP is 1.

Rusty Sword {1d8} Piercing – Chance of causing tetanus
>Knife 2d3
>Tattered Chainmail – Shoddy Medium Armor
It's rusted and full of holes, barely able to withstand 3 to 5 hits, but something is better than nothing.
>Rusty Key?
You're not sure if it's an old amulet or a small key, but it doesn't have the shape of a common key. It's rusted, with strange markings on its surface. mental note
>Lunar Stone
>Bronze Mirror mememagical
<1 Silver Coin

HP: 105/105
Evasion: 16/16
No.1666
Crystal Opal-3b7540 Defecto y Error
>>131454
That's about 0.8 threads per year, we should be proud of these numbers in this day and age, kek

>Hurr and Misella will return in Avengers: Doomsday
They'll be revived, just need to add some mares and minors of some kind, and here's another thing I made a long time ago and forgot about
>>131481
Also appreciated are the cherubini stats, and although it's unnecessary to add, I'll say it anyway—appreciate your effort and that you keep up the quality, opantanal
>>1664
>>1663>your die rolled +7, but I'm adding +5 because you didn't account for your Faith now being 25 true, so if I understand correctly, their Faith ends up at 8
>Eirim

"LET'S GO!"

She shouts desperately while exerting the greatest physical effort of her life—since that time she had to ring the convent bell all by herself—but Krissy had other plans and started rolling inside the shield, pushing them along, the friction so intense it began burning her hands.

"YOU'RE NOT SUPPOSED TO DO THAT!" She complains, very childish, but the anger toward that and Kristal also didn't seem to follow mechanics anymore after grabbing the magic shield earlier.

Her hamster-like actions end up pushing the monks off course.

"Ahhh, did anyone catch the marking?" There were no license plates back then, cattle branding is the closest metaphor—Pupus wants to help her but gets burned because he was skinless. "It's—! Careful!" But Putus can't react and suffers a nasty double due to Kristoph.

But then Gerardo appears just in time, after having an introspection thanks to smoking weed, arriving with his clone and a handjob hand.

"I knew it... those spells take a long time to charge, right?" No time to get angry, so he'd rather be glad.

"Now we can—"

>The shield ends
>mcc

Gerardo gets turbo-raped instantly and would've died that same turn if not for Pupus healing him, so with no other options, the nun is forced to return to the old reliable—praying.
She clasped her hands and prayed, but her fervor was driven differently now—not asking for a miracle, not seeking faith for her flame, but begging for a favor, for a helping hand.

The pain of her raw hands scraping against the damp wooden beads of the rosary was irrelevant; she kept praying fiercely.

"Please, observers, I beg you for your help, let me correct this mistake of mine, please, give me strength... help me save my comrades!"

She pleaded into the air, and when she opened her eye, the situation had improved slightly thanks to Gerardo's magical reinforcements—but it wasn't enough. She felt faith filling her body again, but not her gut instinct...

"Can it... be?"

Even though she knew it wasn't impossible, she begged and implored, and her prayers were answered when two glowing circles appeared on the ground, then shot upward like party streamers from a champagne bottle at New Year's.

Their figures—small, radiant, gentle to the touch despite her wounds—had actually worked.

"Jajaja... JAJAJA, IT WORKED!" Now riding a high from success. "They're tiny, soft, and frail... but it'll be enough."

But she couldn't waste time. The progress made by Big's extras and Pupus against Kristen was once again being denied by his unbreakable spirit of violence.

"Get ready to feel the power of heaven!"

Now she was starting to feel powerful—potential woman. She quickly clasped her hands in prayer. "Attack!"

She ordered the Qs to shoot at Kris to buy some time while she reformed the shield, and before he changed targets and killed Gerardo...

"Push!"

She joined the push with her angels—let quantity overcome quality this time.

>turn 1
Sacred shield again
Turn 2 and 3 Push Kristoferriño overboard
1d20 = 7 1d20 = 7

>Cherubs 1 and 2
>turn 1 Flash at Kristina
1d20 = 8 3d3 = 7
1d20 = 17 3d3 = 5
>turn 2 and 3 push Kristo
1d20-5 = 4 1d20-5 = 9
1d20-5 = 4 1d20-5 = 14
>>1661
>1d20=13
>>1662
>no person
I have a bad feeling
No.1667
Color-Shift Garnet-81d174 The Clash
The .st is down, holy shit. Thanks, Acid.
Just letting you know I'm alive. I'll reply about Gerardo in a few hours because I was over there rereading previous turns instead of writing.

>>1661
>>1662
Okay, who the fuck is Makunga and why is the girl gonna be the final boss? Kek
>>1666
Remember Hurr gave Eirim horo, I don't remember exactly how much, you adjust with him when he comes back, and also West stole a hairball vomited by the cat.
>>1667
>They'll revive, you just need to insert mares and some kind of underage
What are you implying with this? Stop fucking with that dude about the colored donkeys, man.

= = =
= = =
= = =

Manat
Berserker lvl.3: Attack 8 times in 1 turn, but then fall unconscious for 2 turns (it's possible to dodge attacks)
~
>Intimidating shout lvl.1: Intimidate an enemy, this one deals half damage for 3 turns
~
>Barbarian spirit lvl.1: Roll 3 dice during Physical Effort turns (choose the highest)
~
>Catapult lvl.1: Grab an enemy with your strength and throw them like a catapult using them as a weapon {1d4}
~
>War stomp lvl.1: Stomp hard on the ground, damaging nearby enemy units {1d5}. Can stun for 1 turn if rolls 5
~
>Bloodlust lvl.2: For 3 turns your evasion increases +3, your damage by 45%, and your accuracy +5
~
>Sleep lvl.1: Sleep for 3 turns and recover half your HP
~
>Calm lvl.1: If your health is below 25%, your damage increases by 60%. Damage is reduced to 35%. But your evasion drops by -4 points
~
>Love lvl.1: Perform a devastating strike with all your strength against a single target. Damage is the result of your strength dice plus the maximum of your weapon. (reducing target's damage -25% and speed -2 for 2 turns) If you miss, your damage drops by 50%, your accuracy drops by 2 points, and your evasion drops by 2 points

Table
Kleptomaniac lvl.3: Roll 6 dice during theft, placing objects on someone, or forcing locks (choose the highest) or roll 3 dice, but add the 2 highest
~
>One with the darkness lvl.2: With your stealth skills you can blend into the environment, becoming invisible for 5 turns, also making no noise
~
>Behind you, idiot lvl.3: If you're behind an enemy without them noticing, attack 6 times in a single turn or 3 guaranteed attacks
~
>Poison crafting lvl.1: Create poisons
~
>Evasion lvl.1: Increases evasion by 4 for 3 turns
~
>Cuts lvl.1: Cause several painful cuts to the enemy in sensitive areas. Due to pain, the enemy loses accuracy [-4] and may bleed. Roll {1d4 or critical bleeds, {1d3} each turn]
~
>Counterattack lvl.1: If an enemy misses an attack against you, you can strike back with +8 extra damage
~
>Shadow echo lvl.2: Create one or two shadows. If two, they have 50% of your HP and deal 50% less damage. If one, it's 100%. The enemy must roll 1d3 (or 1d2) to see who they attack
>Whirlwind lvl.1: You perform a series of rapid attacks, tearing through everything within reach. Cannot miss. Can cause bleeding (if maximum damage is rolled). If you kill an enemy during this ability, you can continue spinning for 1 additional turn
Now I fall and have to ask how the fuck this ability works and what dice I should roll, kek

Gerard
Magical armor lvl.3: Grants magical armor to himself and one other. Increases evasion by +3 and reduces all damage by 50%
(2)
~
>Wisdom lvl.3: Roll 6 dice on intelligence turns (choose the highest) or roll 3 dice and add the two highest
~
>Purge lvl.1: Breaks curses or magical armor
~
>Alk Absorption lvl.1: Drains all Alk from the opponent and keeps it
(3)
~
>Chain Lightning lvl.3: Launches a bolt that surrounds the enemy, damaging them for 8 turns (each dealing less damage) {1d15}×2t {1d8}×3t {1d4}×3t and leaves them with electric ticks throughout the turn [-3 precision]
(5)
~
>Alk Loan lvl.1: {1d3} For two turns you attempt to communicate with the beyond to beg for Alk. Being empericado reduces this process to a single turn
~
>Faerie fire lvl.1: A pink fire with a dust-like texture burns the enemy and never goes out, also causes disorientation. {2d2} each turn, [-3 precision]
(10)
~
>Cripple curse lvl.1: Reduces the victim's evasion by 50%, their damage by 30%, and their precision by -2. (Cursed creatures are immune, can only be used once per combat)
(20)
~
>Ring, clone: Clone, NPC
(3)
~
>Ring, invisible: Makes everyone invisible for 5 turns
(12)
~
>Friendly hand lvl.1: A hand made of Alk. Grants +5 on strength rolls or "hand tricks" (anything involving agility or precision using only hands). Also grants +5 damage and +5 precision with any one-handed weapon. Can also block attacks, but may be destroyed by doing so (has low HP). While active, you cannot use self-cast spells
(10)
I didn't understand that last line either, bro. What's a self-cast spell? Sorry I didn't ask earlier, it slipped my mind. I feel embarrassed asking so much.

Inventory Manat
<Atlantean {2d5}
<2 spears {1d5} or {3d4}
<Bitten Maya sculpture
<Ruby eye that sees all
<Shiny dream stone
<Hippie maristas
<Sail cloth
<Rope (?)
<Medallion of fate

Inventory Table
<Shamshir with sheath {2d7}
<Bow {1d7}
<9 Arrows and quiver
<Dwarf explorer's backpack
<Worn fanny pack
<2 Sheets
<7 food rations
<2 Low-level healing potions {1d6}
<Gold and gem belt
<Soap
<28 Matches
<Ceremonial Jomer device
<2 Dried meats

Inventory Gerard
<Staff (stuck up the ass) {3d2}
<Cloak
<Rune set
<Illusory ring
<Thong of The Man/Mandylion
<Negronomicón
<Lover's cards
<Keys to the sex dungeon
No.1668
Color-Shift Garnet-81d174 The Clash
>>1663
>they were gonna do "that thing" with pretty high certainty
Pic related
>>1664
>>1667

Gerardo

The power of friendship and resolving past issues filled Gerardo with determination, determination to get his ass moving and stop the healers from getting themselves killed fighting Broly from Z. They were being pretty dumb, acting stupid from the swamp's toxic air, but you had to admit they weren't lacking balls, and that's what mattered... I guess. It's courage that takes you to the top or makes you lose all your savings at the casino.

The mage moves forward, casting his spells, heading straight into certain death without fear, because fear is only for flesh beings, not magical constructs and the jester spirit of a ring. The scent of magic herbs and smoke dissipates within meters into the swampy air, Gerardo swallowing hard as he sets one foot on the bridge.

>Gerardo
...

He'd mentally prepared himself for this, had all his spells ready. He had a physical gut feeling he wouldn't walk out of this encounter unscathed. His bad luck always threw this kind of crap right in his face.

Gerardo
No?

He'd thrown his line at Christian, and while the run-over Pupus and hot-wheeled Eirim talked to him, Kris Chan stared at him with a violence worthy of a full Jorge, Jorge in capital letters. Are we sure this dude is a real hero? From determination to violence there are only a few steps, and this guy knows plenty about the latter because those nearly twenty corpses on the ground didn't have a pleasant time at all.

And so, completely shitting and pissing himself, he tells his minions to push forward, not counting on the fact that at that very moment the hamster ball breaks apart, and then the world slows down, way too slow. The life and work of Gerard Grandson flashes before his eyes as he sees Khris break the sound barrier and move toward him with clear intent. The spawn-camping was brutal—barely enters the fight and they're already gonna crack him open... Again with his damn luck.

>Gerardo
''(That... That technique... That speed...)'

Yes! He'd seen it, he'd read about it. That palm strike aimed at his ribs—he tries to block with his staff, unsuccessfully—he'd seen it before. But the hit doesn't even let him scream in pain; it knocks all the air out of him, his ribs shatter like twigs, but he feels the impact ripple through his body and exit through his back. Then his body flies backward from the force that couldn't fully escape through his back, probably killing him instantly if that had happened.
https://youtu.be/T5DNJYc4Zak?si=Al4eKQPtROMxOjA1
He flies back, crashing into one of the pillars and collapsing to the ground completely disarmed like a Lego figure. The hand holding the staff loses its grip, his body aches, he can't even breathe due to bleeding from his punctured lungs or feel his limbs—he can't feel them at all. His eyes are blank, he can't see, everything's blurry from his brain rattling around so much, he can barely make out the priest approaching him.

It's over, this was going to be his grave, the blood dripping from his mouth makes that clear. A faint cough, as if his soul were escaping through it, happens as he tries to expel the blood that shouldn't be there.

>Gerardo
''(Can't believe I'm gonna die next to two priests of the Observers...)'

Or one and a half... Or half and half... He'd given his existence for these people. It was ironic, so ironic it makes him smile in his final moments as everything turns dark.
In that state, this conscious yet unconscious darkness, he returns to the technique used by the emo. He had read a scroll from eastern lands in that forbidden library, an ancient, dusty one, almost completely eaten by moths because nobody bothered to maintain the place. It was in another language, but he managed to decipher its secrets... He was really bored. The very Palmada Aria of Rúlái, an art developed by a priest from those lands to fight evil or some priest bullshit, those same khakkhara mentioned earlier, using the surrounding air and excessive incense consumption to deliver stronger blows, instantly unlocking the Monk class. Used for self-defense during pilgrimage or fighting "demons," the technique was supposedly lost at some point—or so the surrounding texts claimed. How did that scroll end up there? Who knows. The dead owner of the university was a collector, but he didn't have what Gerardo actually needed.

What was the point of all this written solely to make a joke? That Khris, in his eyes, had used the exact same technique or a derivative, instantly proving he was in a state of superior tranquility or some shit. Maybe that's why he still wasn't dead.

>Gerardo
¡AAAAAAAAAAAAHHHHHHH!

Out of nowhere he's yanked out of his mind and back into reality as Pupus healed his critical wounds, and now pain had taken over his entire body. He doesn't scream for long though, immediately breaking into coughing fits and spitting blood to the side. They'd absolutely wrecked him, no doubt about it—but here he was again, because this motherfucker had the tenacity of a cockroach. He couldn't die, he wasn't going to die here.

Eventually, with Pupus's help and his cane, he pulls himself together, even chuckling a bit.

>Gerardo
We... gotta kill this motherfucker.

He was alive, ALIVE! In extreme pain, but alive.

>Gerardo
KRIIIS! YOU'RE GOING DOWN WHETHER YOU LIKE IT OR NOT, FAGGOT!

His inner Wesker and raw instinct burst out—his face twisted in rage, as he moves to push the ball forward with his summons (which had done jack shit this whole time), at the same time the nun starts chanting her moves, but Gerardo was too fired up to notice anything besides Cristóbal. So Purus, Gerardo, the hand, and the clone push and push, gaining ground. He didn't even realize Pupus had placed another ball; his mind, on the verge of passing out, couldn't handle much more.

He doesn't give a fuck about Alk, just pushes, breaks the shield, and lands a hit. His head and body were on autopilot, more like an unconscious man than anything. He couldn't even hear or be aware of the others. Just like Rock Lee in that scene with Gaarka, barely more than a body moving through sheer force of soul.

Gerardo
>t1 vs Kris Deltarune
1d20 = 13 3d2 = 5
>t2 and t3 push the motherfucking hamster ball off the cliff
1d20 = 12
1d20 = 17
Alk 8/25

Hand
>t1 vs Kris Deltarune
Slap
1d20 = 3 /roll{1d1}
>t2 and t3 push the motherfucking hamster ball off the cliff
1d20+5 = 13
1d20+5 = 25

Clone
>t1
Does nothing
>t2 and t3 push the motherfucking hamster ball off the cliff
1d20 = 10
1d20 = 6

> https://youtu.be/Mpcd45zvY-U?si=IIG8UXLEAajh6i7f
With Cristian dead, Gerardo collapses now truly spent, falling flat on his back against the rock, completely drained and broken. His body just needed rest, though he first dispels the clone and the hand to see if Alk reimburses him so he can rest easier.
Now Gerardo dies because the dice didn't roll in his favor.
No.1669
Hambergite-47a61e Rolero
>>131346
>>131266
>>131265
-What is the difference between a hilariously unforgettable memory, a life experience, childhood memories, and a tragedy? Sometimes it's simply the luck of the moment, not ending up in disgrace. You and the horned one fell into the water because your wings still needed a little more healing, but you still enjoyed those moments of fun, of freedom, of peace. Then they fell again, because they are like dumb and dumber, but they survived thanks to you recreating the Titanic scene, but you were the board for her to save herself.

-With that they enter, you shit yourself, as was narrated before, and the Manatee, comes out of his virgin cave to greet the guys who traveled from Rivera to spend Tourism at the family barbecue. He had a new acquisition, besides his face of a thousand jorgeadas because he was edgy after a bald funkopop touched his little dick when he went to bathe.

-But before that, ....

-The Inca Aryan was in the darkness of that room, stained with the entrails of infant insects, where splinters of rotten wood lay on the floor, you felt your arms sting. The veins in your hand pulsed with blood, they felt so alive with strength, and at the same time so indifferent. It wasn't hard not to notice the changes even if one took it normally, You, since you had come down here, since you decided to set foot in the Abyss for the first time, something inside you physically had changed.

-Maybe it wasn't so noticeable at first glance, but you could feel it. You were already strong, yes, but now, each time, for some reason, you were getting stronger. Pains that were once paralyzing were now tolerable. Your skin was getting tougher, your bones denser, violence more grotesque. In the jaws of the world, it changed man. Was it a gift or a curse that condemns you? Only you, the man himself, could answer that question.

...

-The sword rested in your hand, it was somewhat crude, more meant for excessive use than for decoration or a weapon of skill, and that explained its appearance. This appearance could tell you a lot about this sword, so worn, so nicked, probably years and years of continuous use without rest had worn it down so much.... but still, it stood firm with pride. So many lives, so many wars, so many duels, so many ceremonies, so many sacrifices and so many events, to end in such repose.

-You felt the weight, it was strange, its center of gravity was not normal, at least for a Western sword or a Middle Eastern saber.... Was it? poorly distributed? Was this made by unskilled hands? Everything pointed to yes, or so one could say at first glance. There were no sophisticated techniques of tempering, rudimentary, almost more like a club used by a primitive monkey than the fine metallurgy of a Dwarf, without the delicate details of an elf, or the feat of molded metals of the Tamils. But in the end, what really made a weapon? What was... what made the path of steel, which is as old as man himself? Its technique, its good forging, its excellent tempering, its great metallurgy, its refining, its balance, its agility, its handling by unskilled hands, its precision, its lightness, its versatility, its flexibility? or was it the hand that wielded it? The confidence in the iron that connected in spirit with its wielder?
-If this had gotten this far with this, it made one wonder if weapons really had the tenacity of living beings, the will of man? You speak to it, and the sword... the sword breathes, you feel it. Not like a living being breathes, it's something more... Conceptual in your flame. But you feel it in your palm. The beating of the hammers like its heart. The heat of the forge, like its flame, the roughness of its guard, like its calluses.

...

-Now then, the family was gathered, the girl with her vagabond uncle who came to ask for money, and the father wanting to beat up the uncle for being a bad influence, the usual. Maya had shown her first hunt to her father, did she want approval or to prove something to him? Maybe it was something simpler, more personal, without that ego duel, but still, she received a reward or something like that. Manat's hand, already somewhat clean, rests on the girl's damp hair (noticing that she no longer closes her eyes when she sees your hand raised). Then you pinch her cheek and stretch it, seeing all her bear-trap teeth. He closes his eyes, uncomfortable, she still didn't understand the concept of this way of showing affection that grandmothers do.

Meanwhile, Wes went to the other room to steal that mamacumbo mirror, which weighs a ton and a half, and also takes up both his hands, and a future herniated disc. When you return carrying that little mirror, mirror, mirror, who is the blackest? You feel several footsteps behind you, but there's no one there. It was strange, echoing footsteps, and on wood not as rotten as the one under your feet.

-With that, the gang goes up the stairs to the ship's deck. The weight of their bodies on the rotten wood made it creak with that characteristic "wegiiiiiiiiiiiiiiiii" **https://youtu.be/dnC0ipOVP_I*** sound or something like that. Everything was quite... desolate. Deformed and rotten corpses hidden in some corners of the deck, under some frayed ropes, or among some cracks or splinters of wood, in addition to the vegetation and moss which was making its way up high.

https://youtu.be/7ez1IP4mZCU
-As Wes observed more... he found more corpses, as if several were camouflaged in the abandonment of the ship, or waiting to be called by their captain (hidden in their rotting corner to accumulate work hours). At this, when Manat lets out his phrase YEAAAAAAAAAAAAAH, it is cut off by some sounds, of many more people. You feel footsteps, and voices, but they sound distant, as if behind a wall, even though it's right behind you. Several voices, and footsteps, as if people were working, some laughter, some orders, some comments, but when you turn around, there's nothing, absolutely nothing... And the voices sound, more tangible, more real behind you, to your sides, everywhere.
("Tarwaninzi! Aššanzi! Marassi=wa tuwati! Tiwatassi=wa tuwati! Appan anda tarnattani! Nawišša parnašša kuitki! Tarnašši arha watar, arha alati, arha šuppi! Kuiš tarwanaš appa iyaizzi, tamai tarwanin kuenta, tamai tiwataš idalu ešdu! Kuiš tarwanaš katta tiyaizzi, aššu arha paišdu, aššu alati paišdu, aššu wiyana paišdu! Awa! Arunaš antuhša pai! Awa! KUR.KURmeš šalhanti! Awa! Walwanzi kuit memiškanti! Tarwaninzi memiškanti! Maraš anda walhanuweni! Tarwaninzi! Tarwaninzi! Tarwaninzi!")

("Attas, huwartanna katta pai.") ("Paišdu. Nawišša=wa paišdu.") ("Alatan tarhunmi kuitman šarazzi tiwat.") ("Apūnma tarhun. Antuhšaš neckan natta šuppi.")

-Where were those sounds coming from? They were like orders, and people responding to them, in different ways or talking among themselves... But they felt like they were everywhere. The girl clings to Manat's pants, confused. Manat approaches the ropes—they were thick and large as an arm, a good nautical rope that was rotten as shit, fraying into dust or rather a moldy mush in your hand.

("Misriyaš tarwanin harkanzi kuit memiškanti.") ("Memiškanti=ma kuwat arunaš antuhša natta anda ešzi.") (Hahhanza.) ("Annan tarwanaš katta pait.") ("Apāš=wa nawi anda iyazzi.") ("Watar! Watar arha!") ("Hūmandan auš!") ("KUR kui apūn walhanuweni, wanzan 20 hassin harkanmi.") ("KUR kui apūn walhanuweni, wanzan 100 hassin harkanmi.") ("Memišten natta! Iyat!") (Marassi tiyaššatar. Nawišša taruppi. Huwartanna walhzi. Tarwaninzi memiškanti. Kuitki tiwataš šaklai harkanzi. Kuitki hahhanzi. Kuitki watari spuwanzi.)

-The voices grew softer, and disappeared, little by little... The last thing they managed to hear was that.

("Tarwaninzi! Šalha! Šalha! Maraš=wa anzel ešdu!") ("Attas! Tuppa aušmi KUR anda!") ("Aššu. Apat memašti kui tamai tarwaninzi arha paiyer.") ("Kui tamai antuhšes ešanzi?") ("Apat=ma išhiyaweni. Nu walhanuweni.") ("Arza! Arza! Wilusaš arza! Misriyaš arza!") ("Tarwaninzi! Kinun maraš newan lāman dāi! Tiwataš=wa kuiš ešteni memdutu!")

(....) What's inside "(parentheses)" is a different person—multiple people speaking

-And all the silence crushes the boat, now there was no more noise, no creaking, no wind, no footsteps, no voices.... Silence. Only Wes can hear some soft whispers coming from the mirror.

https://youtu.be/D5aWdIjD5AI?si=M37ehVsp8ub6VHW1
-The two primitive men, each in their own way, approach that rotten sail of the boat and tear off a piece each. Sound of fabric being ripped.wav With it, Wes tries to make a backpack, but only ends up tangling his hands a bit and making a messy ball out of the sailcloth. And Manat just throws that rag over his back, since his hands are full of shit, literally and hypothetically.
-With that, Manat walks with the girl to the tip of the Ship, since it's a bit higher than the rest, due to the incline of the ship itself, and tries to see something.... But he is quickly pushed a bit to the side by the girl, and you can see one of those corpses, but this one is swollen like a balloon, its face almost bursting, standing. Trying to hit you again, since the girl had pushed you, causing the blow to miss. You notice that its arm is deformed, the fingers instead of being on its hand, are all over the forearm, and they lengthen like thorns that twist like worms.

1d20 = 13 3d4 = 8
1d20 = 20 3d4 = 10

-It attacks you again, but >I strongly imply you go for the barrel.

-Meanwhile, Wes notices that there are no corpses where they were before... It's completely clean. Then you notice under your feet a huge shadow of the ship's mast with the sail moving in the wind (something impossible, seeing the mast was broken and you guys broke the sail to craft fine clothes from the swim), and when you turn around.... You see them, all the dead. Some totally deformed Like the bugs Tabla and Eirim found on the bridge Others simply swollen about to burst, some with old rotten clothes like the one Manat stole the sword from but much more austere and simple, clearly not much armor.

-There were at least like 15 monkeys, but also coming from the hatches they opened to get up here, as well as some doors, some sort of thin ?legs? grew out of them and they walk slowly towards you.

Here I imply because I don't know if they are going to fight or what, if they stay, well, ignore this

-With that, Manat and the girl approach the barrel and he throws it into the water.... It doesn't break on impact from behind, it just splashes hard and sinks..... Then it comes back out of the water. Then, like a golden horse, Manat leaps from the ship. Your body was full of branches and swamp plants, but you get out of the water, and call the girl. She doesn't hesitate, and jumps in, sinking into the water. You see that she "knows" how to swim more or less, but that body weighing 20 kilos or more prevents her from reaching the surface, so you help her.

-She clings to the barrel tightly, almost like a hug, and it sinks a little. You notice how her reaction was strange, she wasn't afraid per se, you could see it in her gaze fixed on your face, with her wet hair stuck to her face, but her body was. She trembled a little, as if in panic, as if her mind didn't control her body yet, although... little by little it calms down upon seeing your face, moving her feet to steer the barrel with you towards the shore of the water.
No.1671
Hambergite-47a61e Rolero
No.1672
Hambergite-47a61e Rolero
No.1673
Spodumene-132250 Defecto y Error
>>1668
>Remember that the Hurr gave horo to Eirim
Really?, I have to check that,
>check
>>120890
Hmmm, as I understand it, he did two calculations, one distributing among everyone and another excluding Gerardo, but no one gave a damn in the following turns, kek, so according to me, the coins are still on his person and the rest (except Wes who Tabla gave 1 silver to) are broke.

>what are you implying
My lawyer recommended me to make the clarification that any humorous remark coming from my person is done for comedic purposes and has no intention to mock or attack anyone
>>1671
>Wes

With so much superficial tension that gave the wings, the moth was like a small boat for the cuckold, after climbing, and falling again, they climb well and get into the ship.

Things already described as eating rotten eggs and shit that breaks reality, edgy esoterism and everyone getting their loot.

The moth in particular goes straight for the mirror, especially when it shows its echoes of the past, bingo!, some witch would love this shit if she could sell it for the right price.

It stops when noticing the footsteps, turns around everywhere, but there's nothing "..." Looks at the mirror "I see you can return more than just images my friend"

After that, they climb and the stairs almost break from the weight of the mirrored Wes and Manat with his roman skin. Up there is when he observes the abundant amount of corpses on the deck of the ship, to where outside that he detected more with his insectivorous eyes.

"Someone had a party with so many corpses..." Then after the diegetic atmosphere breakdown from the ario, the three proceed to have a schizophrenic moment feeling voices in a dead language "I don't know what they say, but I recognize the noise of a lot of people fighting anywhere >"

Even it gives him the creeps because of this spirit nonsense so he goes with Manatiena to loot the sail. But the mirror keeps talking "Shhh" So he makes it shut up before continuing with the previously planned actions.

But his survival skills were never based so much on precision, so he only takes something that would serve as a toy for the demon wave.

His atenas detect problems, the girl saves Manat from a sneak attack, and he realizes the disturbing lack of all the furniture or corpses from before.

"Oh no"

The euclidean image of the shadow of the mast moving doesn't make things better, now the corpses were after him, and since he was carrying loot, he didn't feel like fighting so he resorts to escaping with the ario friend and his no-niece.

"Wait for me!"

Mirror tied up, runs with his wings spread and jumps off the edge to glide and reach them, dodging the corpses that couldn't reach his evasion AC to damage him.

He flies at Mach Fuck speed and crashes into the mud, the mirror slips out of his hands and rolls like someone falling from a hill looking for a cheese wheel, but survives.

"I'm okay!" His knees disagree, but for something they had two healers. He gets up and hurries to lift his mirror "Are you okay?" He asks Manat and Maya "That was scary"

He shakes his wings to get the dirt off "Let's go with the others, they must be happy to see the food and the treasure"
No.6767
Benitoite-ca7af2 The Clash
>>1671
>>1672
>>131346
>>6767

<Manat

Day after day, night after night, days upon days outside of a person's consciousness, hours upon hours of sleep, the abyss changed the man. One could stare into the abyss all they wanted, but there was no one there besides what was already known. His travels across these near and far lands were not too different from all of this, he had already seen too much, his body had endured the unthinkable, yet the abyss was transforming him. Why? That is the question.

>Manat
...

And lying in the darkness like a bum in an alley with bottles beside him, he analyzes the reasons a bit, only to come up with nothing. Curse or blessing, it didn't matter. His purpose was now clear...

So what if you can see the darkest side of me?
No one would ever change this animal I have become

Embrace jorgism 100% and move forward, show the world the path of ultraviolence, everything else is irrelevant. The man has to step aside to make room for the idea. And speaking of ideas, he was now at the scene of a sword of particular size and wear that seemed to give it supernatural power. It was like an ancient warrior, those who live long enough in a world where everyone dies early.

>Manat
...

Humble, like a broken plank of wood on someone else's head. A sheet of some metallic material with a strange hilt. In the end, anything could be a weapon, one's own hands are a weapon, the thing is how and for what purpose they are used, as that cat from She-Ra once told him.

= = =
= = =
= = =

Manaos, after such an ordeal through the red darkness of the ship, was now walking with the girl and the black bum talking about things and looking at dead people.

<We got dinner, your girl almost cut my hand off when I sliced her throat

And the black guy changes space and time, going to look for the mirror while Manat was there stretching the girl's cheek with teeth too strange to be human. Was this girl a demon or something and is the horn at the end natural? Let's just hope Manat doesn't find out because he still has racism in his veins. And he better get used to pain because he's going to get his ass kicked in the future; he had to get stronger, he had to hate, otherwise the world would eat him up.

The black guy returns with the bouncy, cursed mirror that for some reason the mamert eye didn't tell him what it was for, besides seeing the child Manaos. For reasons already explained, Manat looks at the friend in a very jorge way, not because he's a thief, but because he's a coward, unpleasant, and a cannibal. There were no witnesses here who could testify and all that, it was just them and the darkness of the ship.

<Are you hungry, compadre? Remember you're not you on an empty stomach

>Manat
...

Mamita mentions nothing, Mayat mentions nothing. After a short while, the first one reacts, continuing with the blade.

>Manat
Edge. And fah! he hits himself on the shoulder with the sword twice.

2d5 = 3
2d5 = 5

Then he suddenly realizes something strange, a kind of déjà vu. This black guy shouldn't have entered yet, shouldn't even have that mirror above him. The jorgismo vanishes as he raises his eyebrows, trying to connect neurons to remember... remember the future, or whatever this was. Again, the abyss was fucking with his perception of reality.

>Manat
I'm just hungry for violence. I exist only for that.

Turning away from the shitty door, he tries to forget it all. There was no need to notice those ruptures in space and time, just like one doesn't need to notice who controls the world if they want to be happy.

= = =

Not long after, everyone moves into the other room, Manat carefully avoiding looking at where the mirror was—and where the black guy should be right now. He's noticing too much; they're gonna send him to die.

>Manat
(I think I need more rest.)

They climb the creaking stairs, threatening to collapse under their feet because they're fat motherfuckers, and the sun greets them along with the numerous corpses hidden around. The homie makes an unpleasant comment, and Manaos tells the girl not to wander off, then walks over to the bodies to play detective.

<Does your magic eye tell you anything about them?

>Manat
That's not how it works.

Just like he couldn't use the eye on the mirror, he couldn't use it on these corpses either. He was starting to get a grasp on how it functioned. Ignoring the fact that the black guy somehow knows about the magic eye for some reason, he approaches the dead and tosses a C.S.I. reference, triggering whispers, voices, and ghostly screams—thanks to the mirror, or so he assumes. That same mirror must've been connecting to the past or some shit like that. The situation forces him back to his feet, scanning the surroundings with his one eye for any sign of living beings.

<I can't understand what they're saying, but I recognize the noise of a large crowd fighting somewhere

More like the deck of a ship at sea—though he'd never actually been on one, he got the idea from passing through port areas. The language barrier kept him from understanding what was going on. A strange, distant language. It vaguely reminded him of that hellish woman with the fetuses, though maybe he was mistaken—after all, that happened like three years ago... or was it days? Weeks? He couldn't even remember.

>Manat
The dead don't talk.

And so the ignorant one leaves with the girl, who won't let go of his pants. He walks up to the rope he'd wanted to steal and grabs one that crumbles in his hand. Useless. He couldn't do much else anyway—he didn't understand shit of the language, just like when he first arrived in these lands and couldn't interact with people. Then again, this man doesn't interact much with people to begin with—except to kill them.
Then silence. Silence at last. All this business had made him skip the autopsy of corpses, so now he was cutting the candle to tie it to his back and shoulder like a rope (because he had no rope). It was like a bandolier, only dirty and too thick, with a piece hanging down to his side.

>Manat
(The dead don't talk...)

While the black guy was trying to craft a backpack without a rope like Esteban Miner, Mayat and Mana moved towards the bow in an attempt by the Aryan to see what was beyond the trees, only as he walked around looking at the bottom of the boat, he was pushed by the girl who, yes, moved him. She had the strength of 20 grams.

>Manat
...

Surprised, he paid attention to that dodged attack. Up ahead they had a corpse about to explode, showing that it might have been underwater. More importantly, this corpse didn't look like a returnee or anything like that brought by a black lover, he had already killed several of these beings, but this looked biological, as if a parasite was controlling its mind body, the corpse. The thing with its fingers on its hand was unnatural, yes. Maybe all of this has to do with the eggs it exploded a while ago.

>Manat
...

https://youtu.be/hfAqItn4BqI?si=PTe_mOJyzh0KmZdg
In flight, he took the spears with his free hand and prepared to cover the first attack with the metal plate he carried as a sword, which he did with no effort and blocked it in a very badass way. Then, turning his back to cover the next one, with the sword on his back, he made the attack bounce away without ruffling his hair. The disrespect for the enemy was absolute, but normal, it was an animal according to his conclusions. He walked back like that without even looking at it, turning his back as if taunting it to attack him again.

>Manat
I couldn't expect more from an animal.

The style point farming wasn't going to stop, and the corpse was so humiliated and surprised that it didn't even try. It was obvious, Manat couldn't look bad in front of his daughter, he had to show off from time to time. Kek

Why, if Manat was so badass, didn't he stay to fight the bugs? It was as simple as that he was already seeing too many dead people and it was also a waste of time, there were too many enemies, he knew his limits, and there was also that weird feeling about his sister kidnapped by a magical bald guy and rapist goblins... That combination never ends well and he was already too ultraviolent to now have to deal with his sister's rape.

Which, well, he walked up to one of the barrels, ignoring everything that was happening around him, and threw it into the water, then dived in headfirst. The water was deep in this area, so he wasn't going to crack his head unless there were logs and roots down there, which unfortunately fortunately there weren't.

<Wait for me!
The nigger was screaming, surely they were jacking him off, but the friend had his priorities of helping Maya once she falls into the water, bringing her to the surface on the rotten barrel she clings to while her body trembles. It wasn't strange, she didn't seem scared, but she must not be used to so much water... or almost fighting those things from before.

>Manat
...

They shouldn't stay here long, so he proceeds to move the wreck to the shore, making funny faces, which seems to calm her a bit. The nigger was also flying around, he hadn't been beaten to shit, he does that himself when he crashes into the mud.

>Manat
I don't think he can make it.

<I'm fine!

Well no, he was fine because the people around here had resistance, tenacity. And with that, Manat touches the mud with his feet wrapped in those poor shoes that have weathered the storm, then walks out to firmer ground while shaking off the dirt. He also looked at the boat out of the corner of his eye and a smile on his face. He was surfing the kali yuga like a champion.

<Are you guys okay?
<That was rough

>Manat
I don't think I can feel any better.
...

He felt good, he was fine.
He looks at the girl to see if she's okay, which she seems to be, only she was green from the vegetation she had on her and had probably caught a brain-eating amoeba from being in this shitty water, but fine nonetheless.

>Manat
Are you okay? That fall didn't look good, I can carry that thing if you want.

For a moment he behaves like a normal thinking being and takes that chance, looking at the mirror and using the mandingo eye now that he had an idea of its function. It was somewhat related to seeing the past, but even if he couldn't see the magic of its functioning, he wanted some information about his curse and if it was viable to walk around with this shit... or if there was any way to break it like what happened with that fucking necromancer and the cripple now in his eye socket.

Sharingan
1d20 = 9

Not much later he approaches the shore and quickly washes off the dirt with the water. He still needed a good scrub, a long and reflective one. Then he returns to the others to finally leave this place while helping Maya also wash the dirt off, no one saying anything about what happened on the boat. What happened on the boat stays on the boat, mainly the tra-

Medallion
1d5 = 2

Manaos walks and throws the coin (after helping Maya) to see what's up, to see if it would show him something this time, making some conversation with the nigger since the girl didn't know or couldn't speak.

>Manat
So, where are you from? I've never seen anyone like you. Why were you in that dungeon? You don't even have a guild insignia.

He asked calmly to see what the dark-skinned friend could answer, perhaps being able to understand his behavior more.
No.6768
Benitoite-ca7af2 The Clash
No.6769
Staurolite-2e0898 Rolero
Excuse the delay, today I'm trying to do all the turns at once, so I don't fall behind so much, otherwise we'll be another year in the swamp, it feels like the Berserk ship arc at this rate kek.

>>1668
<Whirlwind lvl.1:
>This is when I fall and have to ask how the hell this skill works and what dice I should roll, kek
You attack everyone present with your weapon (a different damage die per enemy), without using a precision die (because it doesn't miss). If an enemy dies from that attack, on the next turn, you can use the skill again (without it consuming the skill). Because it keeps spinning.

<Helping Hand lvl.1:
>I didn't understand that last line either, my darkie. What is a self-invoked spell?
Simply put, they are the normal spells Gerardo casts:
All spells that are cast "automatically/autonomously", meaning in one turn, using your "alk". You write "Fire ball" with your runes and a fireball comes out, consuming your Alk, that's a Self-Invoked spell. It's said and cast instantly.
There are other types of spells, which you haven't half-discovered Although if you lurk a bit you can easily tell what type it is kek which are not "automatic" (they take their little turn before taking effect), which can be cast using your wanking hand.
>Sorry for not asking before, I forgot. I'm embarrassed to ask so much.
Kek, it's okay darkie, ask because sometimes I don't explain shit and leave it hanging there.
No.6770
Staurolite-2e0898 Rolero
>>131506 kekie
Table
https://youtu.be/Vcb3AM1fULI-Thousands of fingers stretching under the water like roots splashed and walked at a great speed, making that "tree" accompany the bald guy's group who had quickly escaped combat, while in the background decorating the landscape, the two enormous creatures were fighting each other, with strong blows that rumbled a bit in the air. They moved fast for goblins and a scoliosis, easily leaving behind the deformed corpses of Half Life 3, who couldn't see much anyway without those eyeless faces.

https://youtu.be/5EXTeEp3A_Y-The bony "branches" of the trees swayed a little from side to side, as you were trying to move inside them to grab your bow or something, but you quickly realize it was impossible. Some goblin tried to see your failed attempt although it only saw that something invisible occupied a space... All those bony and long fingers blackened by rigor mortis squeezed your body tightly, like those tools veterinarians use to catch cats **https://youtu.be/HAAlNYypH44**, so all your movements were completely restricted. He wasn't so stupid as to leave you space, literally from the pressure you could barely breathe.

-In that short time you tried to move, you notice how they advanced a great distance, gradually noticing a camp in the distance. Then your invisibility fades, and the Bald Guy turns to look at your face fixedly, every detail, before speaking.

>Bald Guy
"https://youtu.be/6D9Uh6oeMlA"
-But you quickly become invisible again in his face.

>Bald Guy
"hey hey, you don't have to be so scared, thief"

"I don't plan on doing anything to you yet... Or cutting off your hand for being a black crook"

-He looks at his goblins for a while with a smile, then looks back at you.

>Bald Guy
"I don't care much about what those above do on this level, I have more important things to solve"

"...."

"But we got off on the wrong foot, I wanted to know- huh?"
-But with all your strength, imitating those fanart depictions of you all muscular, you start thrashing violently inside the "branches," your back stiffening, your legs kicking desperately, your arms straining forward and backward in panic. The Bald One just watches your escape attempts with a tired expression, knowing full well he could right now very calmly and easily fill your ass with "Fireballs" and "Crimson Rays," no precision dice needed since you're right there, trapped. But no, he doesn't. He just watches.

-CRACK you feel a finger break, and now mobility increases. You start moving more, with greater force and violence https://youtu.be/CKAaMmJ9_Yk,, now practically shaking the entire tree, feeling more fingers snap as the trunk sways—until... https://youtu.be/hP1pJ1KEODg The tree collapses into the water, shattering its branches, giving you a blow in passing 1d5 = 5, but leaving you free.

-He just looks at you (or where your body would be, since you're invisible, he wouldn't actually be able to see you), arms behind his back, sighs, then turns his back on you and walks off toward his camp. Leaves you there in the muck. Doesn't bother recapturing you or attacking while you've wasted your turns escaping the branches. If you want to leave, you can just go—nobody will stop you.

----
}

Baroque and Hello Demon

https://youtu.be/VF_vB6-CfL4-Your face, which is now your body, plunges fiercely into the murky swamp water, passing first through that layer of "vegetation" and bacterial algae, finally piercing through, into that water mixed with fragments of mud. Everything slows as you close your eyes. The water was dark, but you could still make out rays of faint light filtering through the thick water of this poorly named marsh, revealing tiny creatures floating among particles of shit and muck. From translucent little worms, to tiny round specks with two minuscule legs on their sides, sugar-grain sized, hopping to move. OST of Spore.mp3
-While you sink deeper into the darkness, you notice in the mud beneath you, more life in the benthos of the water. Thin and long reddish worms emerging from tunnels in the mud, which they dive into and resurface from with great speed, as well as some mosquito larvae, leeches, and a lost tadpole moving like the seed of life piss on your face. Your rock cheek touches the mud, and little by little you sink into the darkness. Now only the cold and darkness surrounded your existence... Peace.

**https://youtu.be/PjjTrKeANno?si=vy_j4wiH-KKytjq1&t=154 https://youtu.be/JEQVAlfQaK8**
-Peace doesn't last forever.

-Many times, it doesn't even last.

-Some wet hands pull you carelessly out of your slumber, the sound of water exiting your cracks as you are lifted, noticing that the one who grabbed you was a she, or rather, that creature a mix of zoophilia and probably pederasty on some island. She looks at you, licks her lips and enjoys life which is too short to worry about shame, so that you can then speak to her, breaking her "aura" (better known as ass smell).

>HK
"GWAA!"

-Startled, she quickly lets go and jumps back, falling on her ass in the water, and you sink back into the mud. By bad luck, you are lifted out of the water by her again, who removes algae, leeches, and mud from your face with her hand (unintentionally lacking delicacy).

>HK
"Sorry sorry, I didn't know you talked"

-She places you on the rotten log, and crouches down to search for Items in the mud, in a posture that will end up hurting her entire lower back in two years (if she survives that long). When she manages to recover everything, she sits beside you, resting her hands on her knees and letting out a sigh, repeating the phrase already mentioned. Then you begin to speak, in a philosophical manner, forgetting that you are not with Manat, but with this cat girl who, if lucky, understands her own language. At first, she watches you as if you were speaking like those scholars who use strange words to sound important, like when wizards talk for an hour to explain something that could be summarized as "I don't know" I'm talking to you Gerardo, but then, she lowers her ears and listens more maturely, just stares at you silently, and when you finish speaking, she replies.
>HK
"Yes, yes... but mine is more literal"

"...."

-Starts miming with her hands

"I was sleeping, got up to take a shit another victim of Putus' stew, and when I turned around, I was in another area of the swamp"

"I looked for the ones who pulled me out of the dungeon, but no matter how hard I tried, I couldn't find them. I thought they'd abandoned me, you know?"

"After that, I fought for a long time against creatures coming out of the water... and then I met... met... what was her name again?"

"With Tablos... no... Tabla"

"With a girl from that group. More people showed up, she disappeared, a ghost caught me, and now I'm talking to a head"

"......"

"..........:"

"....."

"...."

-With that, pointing at nothing, she laughs and starts splashing her bare feet among the tadpoles again, as if that grotesque long monologue never happened and you imagined it all. Then you speak normally, mai naim is... and other social doxing stuff, trying to get her attention. She stops splashing and laughing, looks at you and starts doxing herself too.

"Hello!"

"My name is Jelou"

"Have you seen a man in Brass-colored Armor?"

"...."

-Then when you dox yourself, you mention you lolmorted, at which she startles and looks at you more closely.

"You died? What was it like?"

"I want to understand it... Not for me, more like... uh..."

-Thinks, then lifts you up in her arms.

"Somebody seeks death, but can't achieve it. I don't want them to die, but is it worth it?"

"...."

-Asks you genuinely, as if she truly can't comprehend. Then puts you back down.

"Sorry for interrogating you"

"..."

"I came down here alone. I'm looking for my father."

"Haven't found him yet. After a while, the cultists captured me"

"But then, some adventurers rescued me"

"I didn't really understand why they're going down here, but they helped me, so I'm sticking with them for now"

"..."

"They're a big group"

"How big?"

-Holds up one open hand, and makes an "OK" sign with the other (meaning around 8 fingers total).

"You know where their base is? That'd be great, we could go there, right?"

":.."

"Or do you have a better idea?"

-She stands up and prepares to walk.

1/2
No.6771
Staurolite-2e0898 Rolero
>>6771
- She fell silent for a long time, a very long time, while her feet splashed in the water, disturbing tadpoles, until something from your earlier words solidified in her mind of three functional chromosomes ~WHAT DID YOU DO, BAROQUE~~, for the first time, had her mind actually made a synapse?

"Therefore, everything is very confusing, and I feel lost in my own steps"

"Yes, yes, you said that we are all lost and that thought leads to understanding, but does something that can truly be called understanding even exist??? Because when a creature seeks something, it normally assumes that what it seeks exists somewhere waiting to be found, right? But what if understanding is not a thing, but a movement? What if to understand does not mean arriving at an answer, but deepening the question even further?"

"We are all lost..... At first I thought you were talking about a loss of soul, of meaning or purpose, but the more I consider it, the stranger the very concept of being lost seems to me. To get lost, one would first have to know exactly where one is and where one is heading, right? However, no creature is born with such knowledge. We walk before understanding why we walk. We desire before understanding what desire is. Even when we think we have found a direction, we are only following the current shape of our ignorance. 'The traveler thinks he knows the path because he distinguishes the trail beneath his feet, but he is completely unaware of the nature of the world that stretches beyond the horizon,' or so my father used to say. Maybe that's why I struggle to accept that thought necessarily leads to understanding. The more I think, the larger what I don't know seems to become. It's like gazing at the night sky.... from afar it seems like a simple surface, but the more you observe, the more stars appear, and the more stars appear, the more evident the immensity of the darkness between them becomes... it's overwhelming."

"That's why sometimes I think understanding does not consist in accumulating answers, but in developing a different relationship with uncertainty. There are people who believe that knowledge reduces the world's mystery. I suspect the opposite. The more a mind learns about reality, the more aware it becomes of the inconceivable amount of things that remain hidden. Perhaps that's why the truly wise often seem insecure, while the ignorant often speak with absolute certainty. Certainty is a property of small maps; doubt belongs to those who have seen the magnitude of the territory."
"That's why I'm not sure understanding is really the destination of thought. The more I think about something, the more layers appear beneath it. It's like pulling a stone from the ground and discovering another stone beneath, and beneath that another, and beneath that another. You start looking for answers and end up finding better questions. Perhaps understanding isn't reaching a truth. Perhaps it's learning to coexist with the size of what we ignore."

"And if that's so, then fools and sages aren't so far apart."

"Sages look at an ocean of mystery and say....I still don't understand."

"Fools look at the same ocean and say.....What is an ocean?"

"But neither of us understands."

"Perhaps there aren't even separate things; perhaps mud, trees, the walking dead, you, me, and the stars are just different forms of the same thing observing itself from different angles."

"As if the entire universe were a single immense thought that forgot it was one and split into millions of voices just to ask itself questions. And if that were true, then every creature we meet wouldn't truly be another."

"It would be a part of ourselves we haven't recognized yet."

"...."

"Although that doesn't mean I stop dismembering it with a sword when it tries to rape me."

"Understanding has limits."

"Especially when someone tries to rip your face off."

"But there's something that confuses me even more than all that."

"Time."

"I always come back to time because nothing else feels so strange to me. Everyone talks about it as if it were a current flowing from past to future, but I've never been able to observe such a current, especially down here. All I've observed are changes. A leaf falls. A wound heals. A person ages. Yet those changes are interpretations of the mind. What we call time might not be a force, but a way of ordering events. It could be a property of our perception and not a fundamental property of existence. Am I wrong?"

"I say this because there are moments down here, in the abyss, that make me suspect that. There are days that contain more life than entire years. There are encounters that seem to have been happening long before they occurred. There are farewells that feel ancient even in the very instant they happen. Sometimes I get the impression that the past doesn't really disappear. When I remember something with enough intensity, it doesn't seem like a dead thing. It doesn't seem like a shadow. It seems like a distant region that continues to exist beyond my reach. And if the past still exists, then an inevitable question arises.... why would the future be any different?"
"Perhaps all moments exist simultaneously. Interlocks his fingers with the other hand Perhaps what we call birth, present, and death are not separate events, but distinct positions within an immense structure. Imagine a mountain so vast that no creature could see it in its entirety. A traveler situated on one slope would think the mountain ends where their vision reaches, while another, positioned further ahead, would swear it begins in a different place. Both would believe they are observing a changing reality when in truth it is they who are moving through something that already exists. Perhaps time is like this. Perhaps the entire universe exists all at once, and we simply move through it, observing successive fragments of a totality that remains motionless."

"That idea fascinates me because it would transform existence into something completely different. It would mean that every moment of joy continues to exist. That every mistake remains real. That every conversation persists somewhere inaccessible yet eternal. It would mean that no farewell is absolute because shared moments never vanish; they simply remain situated in another region of reality. Under that vision, time would not be a river, but a landscape. And one could go, look back, and like... lurk Read what happened before... even if one can't read."

"...."

"........:"

"However, the more I reflect on it, the more problems I find. Because if all moments exist simultaneously, then change could be an illusion. Growth would be an illusion. Transformation would be an illusion. And yet, all my experience seems built precisely on change. I feel hunger and then satiety. I feel fear and then calm. I meet people I didn't know before. I lose things I once had. All my life seems to unfold as a genuine sequence, not as a motionless structure. That's why sometimes I suspect the opposite idea might be the correct one?"

"Perhaps only the present exists. Perhaps the past is not a place we cannot return to, but something that has truly ceased to exist. Perhaps the future does not wait hidden behind a veil, but has not yet been born. In that case, reality would not be a finished construction, but a continuous creation. Each instant would arise from nothing, exist for an infinitely brief moment, and then disappear forever to give rise to the next. The universe would then be less like a mountain and more like a song. A song does not exist in its entirety at any moment. It exists precisely because each note disappears to allow the birth of the next.... The same goes for applause."
"And the more I compare both possibilities, the less capable I am of deciding between them. One turns the universe into something eternal and motionless where all moments coexist. The other turns the universe into a constant act of creation where nothing remains and everything is continuously being born. One promises permanence. The other promises freedom. One offers comfort because nothing is truly lost. The other offers hope because nothing is completely determined."

"Perhaps the reason I can't choose between both is because I'm trying to describe something too vast using concepts that evolved for small creatures like us. Perhaps our mind wasn't made to comprehend the ultimate nature of reality, just as a candle wasn't made to illuminate an entire ocean. Still, we keep searching because we're lost. Not to truly find something, but because it's entertaining to reach out for that which we can never touch, like when I play with flies with my claws, or a light reflecting on the floor, I strike it, but when I close my hand, it's above my fingers!"

"uhm.... we try to describe an ocean using words invented to talk about puddles, like small creatures building maps of something too vast to be traversed. Maps that are inevitably incomplete, maps we know are wrong, but that we keep drawing because the alternative would be walking with our eyes closed."

"And yet..."

"Although I don't understand what time is."

"Although I don't understand what reality is."

"Although I don't understand what we are."

"Although I don't understand why I'm here."

"Although I don't understand why a rock speaks."

"Nor why Tabla became invisible"

"There is something I do know."

"If my father disappears, I will look for her."

"If I'm lost, I will keep walking."

"And if the universe is a mystery impossible to comprehend..."

"Then I suppose I can get a little more confused while moving forward."

"After all..."

"If no one understands anything..."

"I think I'm doing quite well. Don't you?"

"....."

"..."

"Do you know where north is?"

1.5/2
No.6772
Staurolite-2e0898 Rolero
>>6772
-With that, aiming at nothing, she laughs and splashes her bare feet at the tadpoles again, as if all that grotesque wall of text never happened, and you imagined it. Then you speak normally, my name is... and that social doxxing stuff, getting her attention. She stops splashing and laughing to look at you and also proceeds to doxx herself.

"Hello!"

"My name is Jelou"

"Have you seen a man in Brass-colored Armor?"

"...."

-Then when you doxx yourself, you say you died, to which she startles and looks at you more closely.

"You died? What was it like?"

"I want to understand... Not for me, more like... uh..."

-She thinks and picks you up in her arms.

"Someone is seeking death, and cannot find it. I don't want them to die, but is it worth it?"

"...."

-She asks you genuinely as if she couldn't understand. Then she puts you back down.

"Sorry for interrogating you"

"..."

"I came down here alone, I'm looking for my father."

"I haven't found him yet, after a while I was captured by cultists"

"But then, some adventurers rescued me"

"I didn't quite understand why they are going down, but they helped me so I'm going to follow them for now"

"..."

"They're a big group"

"Like this"

-She shows an open hand, and the other like "OK" (meaning she shows you about 8 fingers).

"You know where their base is? That's good, we can go, right?"

":.."

"Or do you have a better idea?"

-She stands up and prepares to walk.
No.6773
Chromite-7c12d2 Rolero
>>1667
>>1669
<"I knew it... those spells take a while to charge, right?"

>Pupus with bare hands and run over
" https://youtu.be/yPudhlV00FI "

-That was Pupus' honest reply, until well, they turbo-violated the Gerardin soccer kid, and he goes all scared trying to revive him. Meanwhile, you're praying... kek.

-But no, take that atheists, the Observers had indeed heard your prayers! It was the first time in your life you'd seen a celestial creature from the Observers—so delicate, almost like porcelain dolls, or even more perfect. Despite having no eyes what irony their feathers were almost velvety, shifting through faint iridescent hues like a rainbow or gasoline depending on the light's angle, and their wingbeats were nearly silent, like the owls perched in the bell tower—the ones that sometimes attacked you over kekes when you climbed up trying to ring the bell.

-And behind their wings, that aura or divine essence seemed like a contrast between the warm summer morning's sunrise and that long blue twilight hour after the celestial ball called the sun hides away to make room for night. You could swear you saw within the canvas of that beautiful, perfect face, a landscape of a calm and peaceful place where every living being would give anything to spend their final days. Yes, their faces were incredibly beautiful, perfect canvases, without a trace of deformity or impurity, yet each one strikingly different from the other. And at the same time, a gigantic contrast—well, with the so deformed and imperfect being who summoned them. You.

-The radiant aura they emitted was quite strong, gradually making you squint your eye and slightly avert your gaze—a worthy price for beholding such a beautiful creation.

<"They're small, soft, and frail..."
-Nigga what? 💅💅 the cherubim are gonna fuck you up for insulting them.

-Fin

Nah, just kidding

-But meanwhile....
= = =

https://youtu.be/ecvbCDTcAco-Blessings are rare. After being covered in that mambombo light from the little virgin AYayyayyyy you could feel how each rib bone in your chest was rearranging itself—something painful, uncomfortable, but above all, weird. Because even though the pulmonary tissue (since your damn lungs collapsed) and the vertebral structure intertwined and snapped back into place like a puzzle, the pain and blood were still there, fucking things up.

-In those near-death moments, your mind managed to think, and though amidst thoughts about the powerful Arya slap you'd received, you could (or couldn't, depends) hear Pupus whispering things while waiting for you to finish coughing, to see if you'd finally kick the bucket or not. But in the end, an artist like a poet sometimes, very rarely, gets to choose when to die—and this wasn't that moment.

https://youtu.be/PPOSgDijVpg-All of you, accompanied by Gerardo's spiritual zoo, start pushing Khris, until he finally breaks free from his last shield. He stands still, like... recalculating? And you move in to hit him a bit—doesn't do much, really—then................. in an instant, he lunges at his first victim.... Eirim.

-With a massive stomp, Khris rockets toward little Eirim, trying to crush her like an insect with his palm. Everything happens so fast—until Flash_bang.emepetre—Eirim's two cherubs release a blinding light, slightly deflecting Khris' attack, which grazes Eirim's forehead before slamming into the stone bridge with brutal force. You don't even have time to process what happened—Khris jumps toward Pupus, and you, almost by reflex, throw another shield.

PLAFFF

>Pupus
"Carajo... Gracias!"
"Fuck... thanks!"

-The brutal impact rebounds inside the shield. You've saved Gerardo and Pupus. Looking at the ground, you notice Khris' handprint imprinted into the rock. Khris (probably because he's dead) hasn't yet realized the shield is there, and now leaps toward Gerardo, trying to hit him—like a pitbull behind bars, clearly accomplishing nothing. So then... everyone starts pushing.

-Pupus, Gerardo, the hand that watches, the clone doing nothing, Eirim, the two cherubs—everyone raises their hands and pushes, hard.... The shield begins sliding toward the edge. It's heavy, it's difficult—but then.... They do it. The shield-ball teeters at the edge with Khris inside, then falls. You see his slightly confused face vanishing into the void, down into the roar of the waterfalls below......

https://youtu.be/uSjSalQRw_I
-............

https://youtu.be/BL2uLzraqag
-....................

-Silence............

-The ambient noise suddenly returns—the inverted waterfalls, some birds and insects. Peace.

-Pupus collapses, lying down on a broken stone pillar, staring at his hands and sighing, finally resting.

"Mierda, eso... eso me cansó bastante"
"Shit, that... that really wore me out"

"Pero lo logramos... Diría que choquemos los cinco, pero... ya sabes"
"But we did it... I'd say let's high-five, but... you know"

-He shows his hands.

-You were all exhausted—well, pushing that thing against force wasn't exactly an "easy" task. But now, amid the sound of the waterfalls, the path was clear...

"uh... Ah, por cierto Gerardo"
"uh... Ah, by the way Gerardo"

https://youtu.be/a5BcymzWzWs
"¿A dónde dijiste que se movía la corriente de las cataratas estas?"
"Which way did you say the current of these waterfalls goes again?"

https://youtu.be/P8Dq3Osld2M
-de abajo hacia arriba.
-from below upward.

https://youtu.be/OWLvNBUH0wM
>Pupus
"UH?"

https://youtu.be/qpCz3lYMs3g
-You turn around...... It's HIM.

https://youtu.be/5qajT8lS2ok
Khristopher Robin, phase 2
The roar of the waterfall fills you with determination.

Khristopher Robin
>T1: Steal Eirim's Rosary of the Observers.
1d20+5 = 9
>T2: Battle pose.... The Rabbit.
>T3 attacks Eirim
1d20+8 = 19 3d7 = 10
>T4 attacks Cherub 1.
1d20+8 = 23 3d7 = 10
No.6774
Chromite-7c12d2 Rolero
No.6775
Chromite-7c12d2 Rolero
No.6776
Volborthite-f701b3 Defecto y Error
>>6774
>Eirim

Her prayers are answered, and the heavenly emissaries descend with their velvety silk texture, their celestial light so captivating it makes her hallucinate a wallpaper-worthy landscape alongside the perfect faces of said angels.
But there's no time to simp—she has to fight. He targets her again, but the cherubim do their job well, shielding and protecting her as she traps him once more within the barrier.

"...???" She's left recalculating, barely processing how close she came to getting her head blown off.

Still, she sentences him to the Hamster Sphere again, and the group joins forces to push him back—overwhelming numbers showing their superiority until they send him tumbling into the abyss of the waterfalls.

"Yeey!" She celebrates. "Uff... we did it..." She pants from the exertion. "Let's not do that again—next time we wait for Manat." She's learned her lesson: the healer belongs at the back. "Don't worry, Caius, I can heal you."

>"Where did you say the current of these waterfalls flows?"
>-from bottom to top

"WHAT?!"

They turn toward the void, watching that motherfucker Kristof swim upward through the waterfall.

"AYY COME ON!" Her banshee scream bursts out as she rages toward the heavens—fear gone, replaced by pure fury. "Attack! Knock him down as many times as it takes!"

She orders the cherubim to assault Kristof's arms, aiming to disrupt his grip and either make him fall to his death or at least stun him mid-climb so he stops being a nuisance.

Meanwhile, the nun also watches Kristol ascending, seemingly locking eyes on her again. She stares back with biblical rage, the kind only seen in lost manuscripts.

"You're already dead—leave the world of the living already!"

She curses him with such force that laser beams shoot from her eyes, the kind that can削 half your HP if you're unlucky.

"...That's new."

She starts praying to refill her mana tank.

>T 1 and 2 Judgement
1d10 = 3
1d10 = 9
>T 3 Prayer
1d12 = 4

<Cherub 1
>T 1 Scrutiny
1d6 = 1
>T 2 and 3 Flash
3d3 = 8 3d3 = 6

<Cherub 2
>T 1, 2 and 3
3d3 = 5
3d3 = 4
3d3 = 8

...
>>6768
>>6776
then I'll just throw this already
>Wes

>"I'm just hungry for violence."

"Still? What happened up there already satisfied my fight craving for a while. Not every day you stab a goblin 28 times in the neck and it gets back up to keep fighting." The abyss truly made its offspring strong. "Now I'm hungrier for a nap... or smoked lizard. Right, kid?"

They climb up, only to find out Manat's magic eye was actually Temu's—and completely useless. That, and some dead people's voices.

"Maybe they don't usually talk, but they're doing it now. It's like that time I fought a leper in a sewer and he kept talking even after dying from seven stab wounds." Stuff like post-mortem gas release that can be mistaken for babbling—the dude didn't know much about that.
Things go to shit very quickly when the deformed corpses rise to fight, and the erratic misfit and the ultraviolent one decide to escape because there was no desire to fight for this side-mission.

They arrive at smoked land, and after tidying themselves up and such, the deep talk section begins.

"Nah, I've been hit worse, I can keep going" The moth was fine and holds up the mirror "Thanks anyway"

> "Where do you come from? I've never seen anyone like you"
They ask about his origins

"From the west, if I'm not mistaken... although I'm not sure either, my early years are very blurry, I was going back and forth, often imprisoned or having to hide. What I do know is that my name comes from that area, a fucking gnome who captured me for his private zoo gave it to me, his daughters always poked me with sticks" Deep "Although living so close to them for so long was how I learned to count and all that, I'm very good at business!... as long as it doesn't involve reading, did I tell you I can't read?"

"I also don't know what I am, something I do remember well, was my mother... she was normal, human, but as soon as I was born she wanted to kill me for being so ugly, I think I also heard the Gnomes once say that I wasn't normal either, so I guess I can be proud of being unique, heh"

"After spending a few years with the gnomes, I escaped one day when they wanted to move house for their weird underground projects, after that it's more of the same... surviving, did I tell you about the time I was with a tribe of Thri-kreen?"

"Then I arrived here, or in the city above, the guards caught me for selling adulterated weed like the wizard smokes, and when I managed to escape... I felt something, I felt a feeling" His antennae shake "I saw the moon, and it spoke to me, it told me something... that I had to go down, so I did, I hurried and did it alone and before I knew it, I went down to floor 5 and those cultists lynched me. But they couldn't kill me, their methods are really lame, lol"

"And you?" Now it was his turn "They already said they found the girl down here, but what about you? What brought you here when your lands are so far away?

...

Once they approach the rest of the party again, they see how apparently the duo of weaklings + the putus had activated the bossfight ahead of time.

"Look man, they seem to be in trouble" He speaks very casually, gets closer and leaves the mirror with the girl, which preferably, he leaves with the comatose Hurr and Misella.

"Well~~" He stretches, cracks his knuckles, knees, and wings "Ohhhh" He shits himself and catches the turd with his hand to throw it at the shit-yellow enemy "Hey you faggot, why don't you fight someone who can hit you back instead of some kicked clerics?"

He provokes him and at the same time concentrates, before charging at full power with his sword stolen from the skeleton in the sex-dungeon. He seeks to decapitate the krisi or at least try.

>T1 Throws shit
1d20 = 11
>T 2 https://youtu.be/EjMM1EzyKPs
>T 3 desperate charge **the weapon is the jagged sword
1d20+3 = 18 1d8+18 = 21
No.6777
Heliodor-420495 The Clash
dirty and wet pants, shoes mired in dark brown swampy tar and algae on his ass which obviously couldn't be removed while standing here in plain view because he still retained some civic decency, the bare minimum from someone coming from the Indian subcontinent. Inconvenient, inconvenient for obvious reasons—nobody likes walking around like this, though the dude was calm since being covered in filth or simply being uncomfortable had become a habit. Low sensitivity of the penis body and all that warrior shit hacked at with machetes more than once.

The danger had remained on the ship, luckily. Now exchanging words with the moth-man bird who declined his offer to carry the mirror, Manat simply nodded in understanding. Then they walked back with the party while a conversation unfolded about the deep Origins of the black friend.

Manat shook his head, scanning the surroundings while listening to the west coaster, watching for dangers that didn't exist but still paying close attention. Apparently the friend was from banana lands—who wasn't?—and also that he was a zoo animal, a slave to gnomes. Being a gnome slave was more common than one might think.

< did i tell you i can't read?

>Manat
Yeah. The girl said she'd teach you.

Girl nun, not girl girl. She had the particularity of never saying people's names, or at least not doing it often.

Following that, the friend mentions his race and how his mommy was human, how she tried to kill him once she saw him and all that, causing the Dude to furrow his brows. There were several missing links here. How was a baby supposed to survive an adult woman? What he didn't know was that it wasn't a normal baby, but a super baby. And well, this guy seemed to be unique, whether that was a curse or a blessing.

>Manat
(Curious.)

Afterward he recounts escaping from the Jews during a lapse in attention while they were trying to build underground tunnels to reach orphanages, continuing his life in ugly survival mode.

< did i tell you about that time i was with a tribe of thri-kreen?

>Manat
I don't know what that is.

Then he arrived at the shithole city where he was caught by cops with drugs on him, later experiencing a feeling. Here Manat paid more attention to the mental straw about the moon because he'd also gone through these schizo moments. He descended into the abyss by the moon's request and was captured by cultists—this guy escaping one prison only to fall into another. A brutal origin story. It was understandable that his wild autism stemmed from his lifestyle.

>Manat
Quite a story. But why would the moon ask you to come down here? I don't get it.

There are things one doesn't understand and doesn't need to understand, maybe all of this was too personal... like blonde or brunette. And with that, now the black guy asks about his lore. He'd already mentioned his homeland while descending in the elevator, so the friend knows he's from the East.

>Manat
Me?

He scratches his head with the "edge" of his sword, thinking about his past. Talking about one's past was always weird, especially considering his turbulent life.

>Manat
I don't know. I was born in the East, in a desert land, cursed, where nothing grows and constantly at war... That land is always at war. I don't know why anyone would want those damned lands.

For a moment he looked at the sword while speaking. He tried to see his reflection, but it was impossible with only one eye and the sword being completely fucked up.

>Manat
"I don't know my parents, the only family I have is Tabla, my sister. I think she's the only thing keeping me sane in such a miserable world, the only thing stopping me from twisting someone's neck I just met."

He wiped the sword with his forearm, drowning in deep hatred. It wasn't a good idea to delve into this man's past without him having an autistic episode.

>Manat
"I grew up in an orphanage where nobody loved me for various reasons, and since I was very young I've done terrible things. I've killed many, friend, I've even killed the one who would have been my mother figure, the woman who took care of us, one of many. Isn't that incredible? With these same hands, only smaller and weaker."

The son of a bitch chuckled lowly, then continued.

>Manat
"But in these rivers of blood there was someone, there was a woman I've known forever, Azahara, the only person I could sincerely love besides Tabla. A very beautiful, very intelligent, very... good cat-woman, if that makes any sense to someone who was a bandit who ran with murderers. Our circumstances were never the best, one has to do what one has to do to survive, but she always pushed me to use all of 'this' for other activities. That's why I make figurines, it's a great way to not think about anything violent. That's why I'm sometimes interested in plants, she liked flowers, plants. Tabla knows a bit about it, she can make poisons, she taught her."

And so he stared forward for a few moments, no longer blinking because he no longer needed to. The automatic action of doing so had stuck with him, but no more, as if he had realized how stupid it was.

>Manat
"Tabla and I heard the call of the abyss. The three of us traveled from landscape to landscape and then, even though all of that is clouded by hatred, she died on the gallows for the crime of theft. Just as I have taken from the world, the world has taken from me... Thinking about what she must have gone through in the dungeon makes my blood boil."

He clenched his teeth, the veins in his nose burst, and he began to bleed from the pressure. However, out of nowhere, he laughed like a complete schizophrenic, shaking his head and speaking in that tone.

>Manat
"You know, love leads to sacrifice, sacrifice to pain, and pain to hatred. It's a chain no one escapes."
"All of this, that dead woman, my horrible past, a terrible childhood of abuse, are all just excuses. I always thought something was wrong with me, that I should feel guilty for the amount of blood spilled... I couldn't have been more wrong. This infected hole has shown me the truth and I love to kill, break bones, get covered in blood, violate corpses."

The edgy one wiped the blood with his forearm, tasting it with his tongue and finally finishing his lengthy text. Suddenly he opened up to a buddy he met like a day ago and a girl who doesn't even understand him, but surely these two could understand... or not.

>Manat
"That's why I'm here, that's why the abyss called me, to awaken me. I exist to hate, to kill. That's why I'm still hungry for violence. I have to keep feeding this horrible and painful burn in my chest."

"Awww hell nahw dog. Tanam has forfeit his humanity for the sake of the Ultraviolence."

That was all from him, smiling as he observed the path of branches as if he hadn't just dropped such barbarities and extensive tales. Manat lore, the evil twin, the piece that took all the bad stuff.

= = =
= = =
= = =
No.6943
Heliodor-420495 The Clash
>>6943

In a different space and time, Gerardo was blasted by a non-binary without any mercy, and since he's a gay mage with ten hit points, he dies instantly. Pretty disheartening to die because of others, but that's how it was... Unless the masked man revives him, which happens.

All this chest-puffing had drained him, he was tired physically and mentally, standing there thanks to his staff, almost delirious, between consciousness and unconsciousness. These were the disadvantages of being a moderately normal man in an environment that doesn't suit him, the mage didn't have super endurance or some shit.

Continuing with the mage's vision, barely standing, they move to push the ball and then hit it with a powerful 13 damage among all the assholes around here. How many clowns did they need to kill an adventurer?
What material is Khris's plate made of?
Then Kristian gets heated, almost takes out the nun and Caius, they give him another sphere and finally make the last effort, sending the friend to the place he belongs: fucking hell. The boss falls into the abyss, silence returns to the bridge... which isn't silent because the waterfall broke it, along with the sounds of animals completely unrelated to this confrontation of invalids.

< Phew... we did it...
Gerardo
(Why the fuck did this idiot attack us? Why is he down here in the first place?)

Gerardius falls backward. He was going to stay there for a while with his summons, only for the priest buddy to give him the bad news. Yes, the damn waterfall was going upwards.

> Gerardo
The waterfall is going up. So?

The waterfall is going up... The waterfall is going up. No, it's impossible it was going to return, right? Gerardo immediately lifts the upper part of his body to watch Khris return to the bridge, jumping over the water or something like that, something believable when he had so much physical power.

< Attack, make him fall as many times as necessary

The nun deafens them and proceeds to give orders, however Gerardo lies back down, fingers interlaced and hands on his abdomen as if he were dead.

> Gerardo
Don't even try, we're already dead.

It's over, more over than ever. He accepted his end, he no longer had the strength to escape or pull some maneuver out of his ass that had gotten him out of trouble so many times on the surface. They couldn't win by throwing him into the abyss or in a damage race, mainly because they didn't have it.

Luckily, speaking of pulling things out of his ass, the heavy hitters were arriving because these three and the summons weren't going to do shit to Khris.

= = =
Maya, Wes, and Manat arrived at the battle. Not far away, in that red landscape that hurt their gem-like eyes, was the bridge, and further behind it, the raft with the dead. On that stone structure were the usual three, but more fucked up, the clone was there too, also a ghost hand, and two buddies he didn't recognize. On the other side was another subject, all messed up but at the same time determined, with a really strange hairstyle. It was obvious these people were fighting, although Manat was paying attention because he couldn't see his sister, not even the shadow he could observe with his mandingo eye, therefore Tabla wasn't there invisibly.

<Look, friend, they seem to be in trouble

>Manat
It seems so.

The mirror's friend approached faster, Manat walking normally. He observed the sword. It was time to test himself and see if he could control his own power.

In an instant, like a gravedigger plunging his shovel into the earth, Manat, with a single hand, plunged the sword into his belly, to the side, pulling it out through his back, though trying not to damage his spine. Yes, he committed seppuku with a blunt weapon to activate sex mode². The thing was to lower himself to 25% HP.

Seppuku
1d20 = 2
Now the dumbass is really killing himself.

Barbarian spirit: endurance
1d20 = 5
1d20 = 10
1d20 = 10
Now the dumbass can't take it anymore.

He clenched his teeth and tried to resist the pain by moving the blade a little, like an assassin twisting the weapon inside his target. The pain was palpable.

Later, he withdrew the weapon and, luckily, didn't die. Luckily, he also resisted the pain of having a fucking hole in his bleeding stomach. The blood-soaked sword, charged with power, returned to his shoulder, and the ultra-violent was ready, looking at the girl.

>Manat
Let's go, let's spill some blood.

And that's how he joined the fight, running to smash Khris to see if his dreams and hopes were stronger than his hatred.

Gerardo
>t1
Does nothing
>t2
Does nothing
>t3 to Manat
Magic armor
Alk 6/25

>Gerardo
(Manat, this is the last of my Alk. I left it for you at a touch.)

Hand
>t1 vs Kris Deltarune
Don't know the damage he does unarmed.
1d20 = 17 1d2 = 1
>t2 vs Kris Deltarune
1d20 = 9 1d2 = 1
>t3
Tanks the damage towards Eirim.

Clone
>t1
Equips Gerardo's staff.
>t2 vs Kris Deltarune
1d20 = 2 3d2 = 5
>t3
Removes the unconscious Gerardo from the fight.
1d20 = 20

Manat
Manat has -5 to accuracy because of the eye, but I guess he compensates with Bloodlust.
>t1
Bloodlust
>t2 vs Khris Deltarune
Love
1d20 = 14 1d20+12 = 18 (Spear)
1d20+12 = 14
1d20+12 = 31
>t3 vs Khris Deltarune
Berserker
1d20 = 17 3d4 = 7 (Spear)
1d20 = 16 2d5 = 8
1d20 = 3 2d5 = 6
1d20 = 7 2d5 = 6
1d20 = 20 2d5 = 6
1d20 = 10 2d5 = 3
1d20 = 20 2d5 = 5
1d20 = 5 2d5 = 6

= = =
= = =
= = =

I'll respond about Tabla and The Stone in the morning. Sorry for the delay, some scheduling issues.
>>6770
Got it OP, thanks for the explanation.
>Seems like the Berserk boat arc at this rate
I'm not helping much either, kek
>There are other types of spells
Mamagüabo rituals, I get it. Noted.
No.6944
Heliodor-420495 The Clash
No.6945
Poudretteite-6815db Rolero
>>6767
>>6768
>>6777
>>6943
https://youtu.be/XrZuOGJUoT8
-Three souls in torment marched over the abyss. Their figures covered in algae and water, little by little appeared in the damp fog of the swamp, emerging from that mire, and leaving behind that ship infected with the dead. Wes with his mirror, Manat, and the girl Maya, who the latter sits on some roots to remove the algae from her body. She was in her own world trying to remove some aquatic roots from her horn, while the two vagrants who were looking after her tried/began to have real social interactions for the first time.

-Her hands stretched out, struggling to remove the filth that had remained up there on her antlers, when Manat approached to help her. You remove those branches, algae, and some roots from her body and horn, although she had cleaned off the vast majority; on her back she had some, and also tangled in her hair. She just looked at you seriously as you did this, then looked slightly to the side and then back at you, staring intently into your eyes. When you finished, she jumped and broke free from your presence, then scampered off to the side, sniffing under a rotten log.

-Seeing everything red as if you were wearing Virtual Boy goggles was already starting to give you a bit of a headache, besides being somewhat complicated at first, being able to distinguish what was far or near, or if it was simply decoration. With that, you try again to observe with your "mamaguevastica" vision the acquisition that Wes stole on his urban exploration, in case you could see something different.... You see the mirror, and you notice a bit better what lies beyond it.

-You already knew it was cursed, and that something was wrong with it, but you were only focusing on the problem, and not on what it affected around it. When you realize a bit more, you notice that some things were a bit more obvious if you just thought about them for a while with a cool head. There you can see how in the environment, in everything, there are some kinds of specters, small clouds of possibilities that travel like flows in a river, like currents, everywhere and nowhere. Or at least that's how they should move, because it seemed like in the whole environment they were ¿broken? As if this place were crumbling under its own weight. But that wasn't the important thing; what you had noticed, in those short seconds of concentration, was how some of those "currents" swirled near the shield, bouncing and projecting into the environment, probably caused by its curse.
-What was it that "caused" all of this? You couldn't know, but at least you could see how it happened. As if things happening and having happened bounced off its firmament and projected faintly in instants, like when light bounces, traveling to another place, showing a different reality, if you manage to see it from a greater distance than its speed. After that, you don't have the capacity to concentrate that much, and like the optical illusion of "which way is the face turning," after a while, you can't make it change direction at will, because your brain has gotten used to a fixed reality.

-After that, you toss your Coin, which spins a few times in the air to land, yes, again, on its edge, resulting in an absolute.... Nothing kek. Then Wes and Manat talk about their tragic lives.

-One, a being who lost a lot, and traveled with what little he had left to sink further into this abyss of violence. The other, a being who had nothing, really has nothing, and never had anyone to love him, except the moonlight. Two unfortunates so different, but misfortune is the same for all suffering souls. And then there was the girl walking beside them, watching what you said, because she probably couldn't understand/hear much, or could she? You didn't know, it didn't matter. She now held something large and green with orange spots in her hands.... A kind of toad, which was super swollen, trying to break free from the girl's grip, but she wouldn't let go.

-Where did she get it? Probably from under that log from before. But now she was just messing with it. When she sees them finish talking, she approaches and shows it to them, standing in front of you and walking backward. First, she shows it to Manat, like the Pic, and then to West, and in the carelessness, the toad manages to move and.. fishh, break free from her grip, falling to the floor, and jumping away.

-The girl stops and watches the creature escape, a bit of disappointment and maybe sadness? Which doesn't last long, really. She doesn't burn, she doesn't dwell on it, it's what it is, and then she smiles a little and walks next to Manatee.
No.6980
Poudretteite-6815db Rolero
>>6944
>>6777
-Khris was there, imposing, erect as if his back had never learned to bow to anyone. There was something about him that was unbearable to ignore.... His determination. Just moments before, he had emerged from the waterfalls, climbing between the foam and the rock to stand before you as if that impossible ascent had meant nothing. Eirim, sick to her ovaries of this guy showing up again, let out a deafening scream. The Banshee's wail swept across the stone bridge like a shockwave. Pupus and Gerardo immediately covered their ears, gritting their teeth as pain shot through their heads. But Khris didn't flinch. He didn't stop. He didn't hesitate. He kept advancing through the scream as if the sound didn't exist, each step firm on the wet rock as the roar of the waterfall mixed with Eirim's heart-wrenching shriek.

-Gerardo lay defeated on the ground. He couldn't take it anymore. His body was exhausted, beaten to the limit, and his mind was in an even worse state. He had fought that man once and barely survived. He didn't have the strength to do it again. Was this the end for Spider-Man? Pupus watched him in silence. What he felt wasn't anger. Nor disappointment. Not even courage. It was something much more uncomfortable. A cold sensation settling in his stomach and refusing to leave, a mixture of fear and revulsion as he watched Khris approach without stopping.

"No."

-He crouched slightly, not to help you, but to force you to look at him.

"Don't say that like it's a conclusion. Shit Gerardo, you can't just... Agh."

-He turned his head for an instant towards the edge of the bridge, where the "dead man" was still advancing. Then he turned back to Gerardo.

"I've seen people die before their time, and not from wounds."

-He swallowed.

"Is that all your quest was?"

"That little and insignificant?"

"A nice impulse until the air got expensive? Until it really hurt?"

":..."

"I don't care if this kills us. I don't care if there's no way out."

"But I'm not going to accept you ending here as if your life had already stopped having friction, as if it wasn't even worth the effort to fight for it one more second."

-He looked again at the being, closer.

"Because if that's true... it means you had already decided to disappear before you fell."

-He straightened up slowly, without taking his eyes off the enemy.

"...."

"I won't let them kill you, but I'm not promising anything."
-Then Khris's hand descends in a quick, low motion towards Eirim, tracing a half-spiral in the air. Before you can react, his fingers hook onto the rosary around your neck and pull it off in a single tug. The string breaks instantly. The wooden beads scatter in different directions, hitting the bridge's stone and bouncing off with small, dry clicks that echo amidst the constant roar of the waterfall. When you look back at him, the rosary is already in his hand.

-The Cherubim next to the Hand strike Khristobal's body in their own way. A high-speed physical flash and the impact of a punch against this being's body. The blows are relatively strong, but they are easily stopped by the strength of his muscles, leaving almost no scratches. Then Eirim protests against Khris, and tries to fly a car with his laser Rashos... But nothing???? Nothing, absolutely nothing. NOTHING.

<"You're already dead, leave the world of the living already!"
-Khris looks at you with a calm, determined face, one that wordlessly tells you "I've only just begun to live," and without taking his eyes off you, he crushes your wooden rosary between his thumb and index finger. The wood creaks. A crack. Then another. And suddenly the entire rosary explodes between his fingers... You no longer felt observed, you felt... ALONE. You barely have time to comprehend what you just saw when WHAMMMMM. His palm slams into your jaw with monstrous force. You don't feel the blow at first; you feel the world spin. Your head jerks to the side so violently that your neck protests with a dry snap, and your body leaves the ground. You're sent flying across the old rock bridge as if nothing weighed you down, covering several meters before hitting the ground. You bounce once. Then again. Then a third time. Each impact against the stone rips the air from your lungs until you finally crash against the bridge steps and lie motionless amidst the dust and fragments of dislodged rock. The roar of the waterfall below you seems distant now. Your back burns. Several ribs have given way under the impacts. But that's not even the worst part. You try to close your mouth and something doesn't fit. The lower half of your face feels heavy, twisted. Your jaw has broken near the chin and one side has sunk inward from the brutal force of that blow. The pain then hits all at once, hot and sharp, spreading through your entire head as blood trickles between your lips and falls onto the stone.

-But then 3 beings appear from the bridge... Manat, Maya, and West. https://youtu.be/NU61CbO9u6o
_ _ _ __ _ _

Continuing below
No.6981
Poudretteite-6815db Rolero
>>6981
-The first to see what was happening was West. Your antennae felt the blows, the effort, against something immovable. A grotesque cry of fury sounded everywhere, Maya looked around, the three of you knew who it was, but just a strong blow was enough to silence that cry and make it reverberate in the air. There you see them, the Bridge, and in the Pupus with Gerardo who is on the ground, Eirim all exploded on the stairs in Peter Griffin's pose, and a man fucked up, but at the same time firm as a mast in the middle of the bridge.

-You also notice the bodies of Hurr and Misella, with the slug between them trembling with their owners, like a dog that doesn't admit its owners died, and you leave your shield aside to go into battle to throw down. When you arrive, you see the ultra-violent scene better, in addition to the previous corpses on the bridge. You notice how Gerardo's magic Hand is tanking the blow of the third turn, but Khris in his third turn was attacking a Cherub, grabbing it by the wings and smashing it against the rock floor, so it was useless kek.

-It was time for your incel rage, so you shit yourself and throw the shit at him.... Missing. The shit falls in front of him, but at least you had gotten his attention. He observes you, his face was obviously dead, but he was somehow alive, not magically, not shamanistically, you could more or less understand that determination to death, to adversity. Then you notice how his body starts to assume strange postures. First he hunches over, then he lifts his chest, his fists clench like rabbit paws, and he raises his hands high, to stand on tiptoe, though with bent knees.... It looked like a release.

-You speak to him, although of course, the dead do not understand dialogue, and he throws the cherub he hit to the side. So you, with all the fury of a vagabond, run towards him and with a jump, deliver a powerful, but very powerful sword strike against this guy's neck. KLANGGG, sparks fly, and an object falls to the ground. Your sword? Somewhat bent. Khris's neck? Not even flinching.

-It was like trying to hit a brick post made of rock, you had barely left a cut on his neck, wide as a beam of muscle. But you also notice how the plaque hanging from his neck falls to the ground. Apparently, he was an adventurer. He was. But that superficial cut tells you something, if it can be cut... It can be killed.

= = =
-While this was happening, the Manat had stayed behind with Maya.
-You grab the old sword with your hand and fix your gaze forward, bringing the sword to your abdomen. Without the slightest hesitation. The tip presses hard. The skin sinks under the blunt weight. At first it doesn't hurt, it's just cold, but then you start to feel the weight of the tip trying to enter without being sharp, almost like a violation of your integrity. The contact is enough to make your entire body tense. There is immediate, primitive resistance. Every muscle tries to stop you even before the pain fully arrives. Still, you push. Your fingers grip the hilt until they turn white as a stab pierces your belly and spreads throughout your body. The air leaves your lungs with a gasp. The world seems to tilt for a moment.

-Beside you, the girl watches in silence. She sits with her legs drawn up to her chest. She follows every movement with the attention an animal gives to something unknown. The sword advances inch by inch. There is nothing clean about it. Each movement requires more strength than the last, and each second multiplies the pain until it's almost unbearable. Your whole body trembles. Your muscles contract instinctively, trying to stop you, trying to pull you away from it, but you continue. The world begins to shrink. There is only that searing pain that seems to pierce you from side to side. You clench your teeth so hard your jaw cracks.

-Blood begins to fall onto the damp swamp in a steady drip. Your breathing becomes irregular. Cold and heat mix in a strange way as strength slowly leaves your arms. Still, you continue, forcing yourself to endure. Every small movement of the blade causes a new wave of agony to course through your entire body like an electric shock. When the blood starts to pour rather than drip, Maya tilts her head slightly. Her eyes follow it down to the ground. Then they return to you. She doesn't seem restless. She doesn't seem worried. She just watches.

-The pain continues to grow. It doesn't stay the same. It accumulates. It becomes heavier with each passing second. Your shoulders tremble. Your arms too. The sword shifts under your hands and a new wave of agony forces you to clench your jaw so hard your teeth grind against each other. Your breathing becomes irregular. At times you feel like you're going to collapse right there. The girl stands up and takes a few steps closer. Her feet splash through the small puddles and she looks at your face. She looks at your hands. She watches how the trembling becomes more and more evident. For a moment, she seems to study it with genuine curiosity, as if trying to understand why your body insists on shaking like that.
-The cut on your side is quick, excruciatingly painful, you barely understand how you're still alive. Your intestines begin to spill out of your abdominal cavity, like a crushed toad. Everything looked red, redder than normal, with no distinct shades. When you finally try to pull the sword out, you discover your hands no longer obey you. Your fingers no longer respond as they should. The pain is so intense you can barely keep hold of the weapon. The girl watches for a few more seconds before reaching out towards the hilt. She doesn't ask. She doesn't hesitate. She simply helps. Her small fingers close around the weapon and she pulls with you until it's free. Then she steps back and stands still again, watching you as before.

=

-....

-Everything went black, you felt dizzy, you were losing blood... THUMP but your heart was still beating.

THUMP

-Images begin to form in your dizzy, clouded mind... Her... you see her, as her body writhes, as her legs kick while urine runs down by gravity. As her eyes roll back until they turn white, as the bulge in her neck rises higher and higher, leaving a bloody red mark on her throat. As life slowly disappears from her eyes, while a mob of people watched. As delicate as a glass petal...

THUMP

-Everything calms down...

-Hands on wood, being guided by the chisel. Memories, beautiful memories perhaps forgotten. You also see your sister.

THUMP

-Your vision returns. You notice Maya in front of you, holding your face, which was swaying as if about to fall to the ground. Her rough hands caressing your cheek. You stand up, you were on the verge of death, with your guts spilling out, and yet your heart was beating with too much life.

-The two of you advanced towards the combat, noticing what was described earlier, everyone kicked, and West delivering his powerful attack to his neck. You notice this being. Undoubtedly, you were relatively taller than this person, but he was indeed much more physically developed, wider and more solid, as if every one of his muscle fibers were tensed. Like when one cooks frog legs, and they twitch with all their might, despite being completely dead. Your almost disemboweled body full of blood was the representation of ultimate violence incarnate, but his body, his face, everything about him made you seem insignificant.

-With ultimate violence incarnate in a pig's squeal, you grab the wooden spear kek and as if you were a knight in a joust, you charge at him with a force that dislodges some bricks from the bridge. Khris doesn't give him time to turn around and you notice how, like a derailed train, you charge into his fibrous body.
-The spear shatters against his body. It doesn't even break normally, it simply explodes into a thousand splinters that fly all over the bridge as your momentum continues even after the weapon ceases to exist. Your fist hits behind it with brutal violence. The air explodes around the impact, a mass of white vapor forcefully opens and expands across the wet stone. For a few seconds, the mist torn away by the blow condenses into small droplets that fall around you like a sudden rain.

-As the vapor begins to dissipate, reality proves much harder to accept than the impact itself. You are still there, arm extended. Khris too. Standing. Without having taken a single step back. The blow landed. That's evident. There's a mark on his abdomen, reddened skin, some embedded wood fragments, and remnants of the spear scattered at his feet. He felt it. For a moment, you even forced him to absorb the full force of that attack. But that's all. Nothing broke. Nothing yielded. Nothing changed.

-Your own bones seem to understand it before your mind does.

-Pain pierces your arm, shoulder, and back with a violence that almost makes you lose your balance. It feels like you ran at full speed into a rock wall. No, into a mountain. Every joint throbs. Every muscle protests. The impact doesn't seem to have traveled through Khris, but rather returned directly to you.

-Khris looks down at the mark you left on his body. His fingers calmly pull out one of the embedded splinters and drop it to the ground. Then he watches you for several seconds. There's no mockery on his face. Nor contempt. He doesn't even seem impressed. What's there is much more uncomfortable. He looks like someone trying to understand something and reaching a disappointing conclusion.

-His gaze sweeps over the blood on your body, your trembling hands, your ragged breathing, and that UltraViolence you've turned into strength. Finally, he "exhales" through his nose and looks away from you, yes, in the face. As if all that ultra-violent momentum meant nothing to him... but no, he wasn't looking down on you with that arrogant indifference, but with the same expression of someone hearing the same argument for the tenth time, hoping to find something new, and discovering it's still exactly the same. A simply tired look.

-And then he stops paying attention to you. Not because he considers you weak. Nor because he considers you insignificant. He simply understood what was going to happen next.

-When he takes the next step, he's not even looking at you anymore. He's just going after the rest.

A spear broke
No.6982
Poudretteite-6815db Rolero
>>6982
-When he takes the next step, he's not even looking at you anymore. He's just going after the rest. A barrage of constant blows from your sow attack fly like a storm towards his body, sculpted and broken by old fights, but Khris doesn't flinch. He completely ignores your attacks, as if they literally don't affect him in the slightest.

-Your body is surrounded by a magic armor from Gerardo, also Gerardo, well used, the fight had barely begun. And speaking of Gerardo, Pupus gets up from his side and puts on his metal gauntlets.

"See, there are more of us now"

".."

"I have to see Eirim"

-He runs off to find the little nun who is all messed up on the ground, and grabs you in his arms, carefully, but you can tell he's nervous.

"I'm here, don't worry... Let me see that."

"Shit...."

"No, no, don't worry, it's not... that bad"

-A comment they make to you after you fall off your motorcycle. He lays you back, resting your head on his arm, so you don't get hurt, and starts using his last bit of Faith to at least heal your jaw.

"It's going to hurt a little, but don't worry, I'm here"

-The healing light surrounds your jaw....

"Stay here, don't risk too much, reinforcements have arrived, okay?"

-After that, Pupus carefully leaves you on the bridge stairs and advances to combat.

One thing I forgot to put. Before the first hit on Misella, the guy left one of his arms "back" or "ready", so he's only fighting with one hand.



https://youtu.be/2K-evRnwcSc
Khristopher Robin
>T1: One-Two SLAP a Cherub 1.
1d20+8 = 12 3d7 = 10
1d20+8 = 17 3d7 = 13
3d7 = 17

>T2: One-Two SLAP a Pupus.
1d20+8 = 17 3d7 = 15
1d20+8 = 13 3d7 = 21
3d7 = 7

>T3: One-Two SLAP a Clone Gerardo.
1d20+8 = 18 3d7 = 14
1d20+8 = 20 3d7 = 12
3d7 = 10

>T4: Scoop Slam+Elbow Drop to West.
7d7 = 25 You are stunned for the next 3 turns




Pupus
>T1: Heals Eirim.
3d8 = 16
>T2: Against Khris.
1d20 = 15 2d3+5 = 10
>T3: Against Khris.
1d20 = 11 2d3+5 = 10


Maya
>T1: Knife duel to the death with Khris
>T2: Desperate Charge at Khris
1d20+3 = 16 1d6+18 = 24 Don't let it show that I forgot how much the axe did, so I'm using its default damage
>T3: Desperate Charge at Khris
1d20+3 = 22 1d6+18 = 19
No.6983
Poudretteite-6815db Rolero
No.6984
Poudretteite-6815db Rolero
No.6985
Bicolor Fluorite-f9da0a The Clash
No.6986
Poudretteite-6815db Rolero
No.6987
Pyrite-8bfc4e The Clash
>>6771
>>6772
>>6773

<Table

As Sir Joe Arroyo once said: “Hey man, don't hit the black woman”. That's how Table was, in an unfavorable situation where her hands were probably going to be cut off like a character from the Congo or worse, it can always get worse. She was there, invisible, trapped in the prison of cold, dead fingers, and what's more, she couldn't move because they were squeezing her so hard she could barely breathe, the arrow plan going to hell because of it.

The cage thing moves with the group of goblins who are moving at a surprising speed for hostile terrain, they move as if the water wasn't up to their necks (damn shorties) or as if their boots weren't getting stuck in the mud at the bottom. It was clear that these people were used to the swamp, even the bald guy who perfectly keeps pace with them, and in the distance, a camp can be seen.

>Table
(Are these the swamp dwellers? I think Hurr had said something about that.)

Things from not paying attention, although she remembers hearing about smoke and other stuff. Then her invisibility wears off and the magic bald guy talks to her, making the woman go back into invisibility because it's embarrassing to be disheveled.

<I don't plan on doing anything to you yet... Nor cutting off your hand for being a thieving black woman

Yes, his intention wasn't to talk to the friend, which is understandable because he was a cultist. What good cultist have they found so far? And no, Misella doesn't count, that idiot wasn't good, she wasn't from God... but neither were they. Manat is a murderer, Jorgito, and she's a thief and a murderer, so she can't judge the friend for manipulating corpses with mememagic or worshipping dead people from past eras. That's what she thought, she wasn't any better than anyone else in the end, hence her attempt at redemption.

It didn't matter, she had to leave, turning a deaf ear to what the compadre was saying, so she activates Super Saiyan and starts shaking in the cramped cage. Like Kenshiro breaking his shirt every chance he got, the cage slowly gives way. Strength of pure redemption, brother.

She was stuck there in the cage, surely she could tank some damage if they attacked her, however the evil bald guy or the goblins don't attack, they don't even rebuild the cage as it breaks. Unusual behavior... Maybe the compadre was telling the truth, he just wanted information.

>Table
...
Anyway and using brute force, the mandrill throws the tree away and its force crushes it, taking its own life in the act but finally free, free from slavery and ready to be a normal citizen and pay taxes. The bald guy watches it there, brushing the branches off his fingers, able to see the invisible or simply looking where the branches are moving. He then proceeds towards the camp with his lackeys without saying anything.

>Table
(What a nuisance.)

The black woman gets up and brushes the dirt off herself, all wet and muddy. Then she takes out one of the low-healing potions and takes a deep swig, saving the glass bottle for later enjoyment.

1d6 = 4

Shit healing, but it's something, she needed to close the wounds on her arm and leg before they got infected or something, cleaning both before drinking the potion. Then she covers her face again and, against all odds, walks silently towards the slaver camp. Now she needed to know what this bald guy who controlled more of the swamp wanted.

>Table
(Mental sigh Well, I guess that's how things are, I don't think I can go back alone. But what if it's a trap to lure the others? No, no... Trust, trust others for once, even though you've stolen from them. Yes, maybe I should apologize.)

She followed her own path unaware that some random guy was going to fuck her companions.

= = =
= = =
= = =

<Mr.Chopped

In water, in the leafy darkness, he saw. Tiny, invisible to the eyes of those who walk on the surface. His head submerged in the swampy water observes the fauna and flora of the place, which paid him no attention as if he were just another piece of the scenery, another piece that comes and goes like a piece of wood that rots to give way to another cycle of life. Life existed even in the least expected places, Barroco was the faithful representation of it, being a piece of rock with consciousness... before becoming a head, although it didn't change much, he was still a piece of rock with consciousness.

Is this Peace? No, to get to Peace you have to take the 130 for 100 pesos because the Cutcsa assholes have a monopoly on public transport and buying a car is impossible.

He was sedated by the tiny movements of these creatures, movements imperceptible to the world above, but very visible to this small world. Perhaps other beings higher up see the people of the world as tiny, imperceptible if you don't pay attention. A vulgar thought; surely there was nothing up there, but one never knows.
Like a fish caught by a fisherman, it is pulled out of the water by the genetically engineered human Jewish cat, shattering this momentary reflective peace. Another person, one like any other who has consciousness; this one makes the move of Shakespeare's fucker and the voice of Vin Diesel from the stone scares it and it goes back into the water, this time ending up with more shit on its "skin" that it can barely feel.

>Barroco
(Nobody expects a head to talk.)

Then it is pulled out of the water once more and the shit consisting of creatures and mud is removed. It opens its mouth to expel the water.

Barroco
Nobody expects it.

The hatless cat proceeds to place it on a log and looks for the objects, breaking its back. It sits down afterward, wondering, and Barroco plays the mystic because it didn't matter to philosophize with someone with brain damage, what mattered was the fact of awakening that facet in others. Sometimes these thoughts and externalizing them act as a bridge to discover oneself.

<Yeah, yeah... but mine is more literal

Literally lost, yes. He mentions that he went to take a liquid piss in the swamp and got separated from his party, letting it be known that he was also in a dungeon, although he didn't fully understand the latter.

<I thought you had abandoned me, you know?

>Barroco
Sometimes one has to trust others more.

He fought with these strange creatures that come out of the water and met Lord Essential, everything else already known because he was there watching.

>Barroco
I see. This swamp is a death trap, and being alone is a good way to die.

And then, before his hardened red and dark stone eyes, reality does a very strange thing, mixing future and past to give rise to a monologue about the incessant search of mortals and the subjective reality of time. Apparently, he had learned to think, his mind had clicked with philosophy, therefore he doesn't give importance to the rupture of space and time and plays along.

Barroco closed his eyes, sometimes nodding to the gossip's words, moving slightly on the log back and forth. People search, but not in a literal way as he had said because as he rightly said, people cannot get lost or find themselves if there is no path in which to get lost or find oneself.

Understanding, comprehending, in fact, did not reduce the mystery of the world, but rather gave rise to more things to comprehend and understand because that is how mortal minds work. Always more, know more, have more, higher numbers. It was the very greed of life.
>Baroque
(To be lost, incessant search. In reality, the search and comprehension is just another way to call the meaning of life. Some give meaning to their existence with love, some with hate, others with conquest, others with material things, many with knowledge, all without realizing that perhaps existence is something more... earthly, simple. Here, now, without too many mysteries.)
(I think, therefore I am conscious, I exist, and therefore I need something to be for. That's how it works.)

He thought it, but didn't say it because he didn't want to interrupt the train of thought of others... Besides, he didn't have room to talk about the huge speech the young woman was giving him.

<And if that's the case, then fools and wise men aren't so far from each other

>Baroque
They never were, it's just that some speak more sparingly and with convoluted words... Sparingly is a convoluted word, look. The only thing the wise man knows is that he knows nothing, and the fool knows nothing and doesn't need to know it either. The duality of being, we all carry a part of those two.

And so the girl moves from thoughts and understanding to the extreme that we are all the same, which perhaps made sense according to her experiences. Then she talks about time, although here he no longer agreed too much with how she spun the comments.

<or am I wrong?

>Baroque
Maybe?

He lets her elaborate then on the strange idea that time is just a perception of the mind or some kind of trick, that time and events happen at the same moment. High-level stoner thoughts that, in the context of where they were, of their reality, made sense, however Barracas opens his eyes and looking at the horizon disagrees with the idea once she finishes.

>Baroque
The mistakes made, the conversations and the good times, everything continues to exist because we carry it with us in our minds, souls even, we don't need time to be that way for them to continue existing, because what is real is not always palpable. What can be considered real and not real then? That you will have to answer.
One could say that we ourselves are time if we carry the past on our shoulders.
...
I believe more in a cycle. Same stories, maybe same people, same beings, just different in some way I can't explain. A circle with small variations, there you choose the beginning and the end because I'm not sure. I'm just a rock.
No.7015
Pyrite-8bfc4e The Clash
>>7015

Then, then the thought of the here and now, the present and the line that follows forward. A song as it says, with its notes to make sense. Maybe the two ideas mix, coexist in a way that no one can explain because we are only fools and wise.

Barroco
That is our curse... and blessing.

But in the end they just were, and that was what was important. They were here in a swamp, confused having a stimulating conversation, Tommaso Campanella with Descartes. At least Barroco felt a little more alive, he had already forgotten what talking with others was like after being dead for so long. Besides, he had been too hard on the bald guy and his goblins, hard as stone, because his persona, his Baroque Self, had gotten in the way, covering everything else.

<I think I'm doing pretty well. Right?

>Barroco
Of course, you're doing well. Although you use somewhat convoluted words for someone who can't read.

He laughs, if he could, because he doesn't have lungs.

>Barroco
Just don't get too caught up in those thoughts, there always has to be a balance. Things are sometimes simpler than your mind tries to make them.

And with that, the philosophy class ended, until a vagrant with a plucked chicken falls and says "behold the man." But no, that was all. Hello demon was smarter than she seemed at first, she could surely be a good lawyer if she studied.

The similar conversation is ended to make way for introductions. Yes, introductions after philosophy as it should be. Her name was Jelou and she was asking about a man in armor who didn't kill her father and who doesn't have six fingers. He tries to think, goes back to the past, to his 90 years of the past, although he doesn't come up with anything similar.

>Barroco
I don't think so, I only know people in black, white, rusty, and blue armor. Why that question?... I also don't know where north is, the sun and the stars do very strange things around here.

Then they pick him up and stuff because he told her he died of cringe from the homosexual and fat-assed elf. He listens, stays calm. He searches his head, his stone brain to answer her doubts.

https://youtu.be/PtX0zHjAp48?si=WHG_X3WHJKQeS1c4
<Is it worth it?

>Barroco
Is it worth it? That's a question everyone has to ask themselves. Anyway, one cannot decide for the life or death of others, to be loved or an enemy. You can't force someone to continue with their life, nor can you take it away from another, yet we do the latter quite often, don't we? We've all done it in one way or another.

Come on Barroco, for crying out loud, put the shit aside and answer the damn question.

>Barroco
What was it like? What was it like?
One would imagine that someone like me who has killed quite a few would end up in a place of sulfur suffering for all eternity, or a cold place far from divine grace, but no, none of that. It was just me and my thoughts, where time becomes strange. Darkness. Many times I could see what was happening around me without being able to move.

Close your eyes for more drama.

>Barroco
Loneliness not unlike what we live day to day because no one is inside our mind besides ourselves, alone. Truly no one knows us for real, only what we show. But back to the question, perhaps death, ceasing to be, is just an illusion, or maybe our "hell" or "paradise" is created by our own mind and soul. Perhaps it's just the particularity of my race, my stony kind. Perhaps, as you said before, we are all the same and at some point my body and soul will be part of another, just as flesh is part of another being once consumed.
...
Perhaps neither you, nor I, nor anything you see is real. Just fleeting thoughts like those I had in that darkness.

A horror to die and be trapped in the darkness of the mind, but the friend and his stony nature doesn't seem bothered by it. It is what it is. One now understood the reason for the cremation of corpses, although that would break the cycle of being part of another according to the words of my godfather Barraca.

>Barroco
Answers sometimes provoke more questions, we've already said that. I hope it was a satisfactory one.

Answers to questions. He didn't mind being interrogated because he had nothing better to do either. Later he would explain the reason he was wandering around this shithole, finally placing him back on the wet wood of the tree. She was looking for her father in the abyss, was captured by the cultists of the unspeakable, and was freed by another group she now follows, the same group as the black thief whom she was sure she knew from somewhere else.

>Barroco
...

He shows his hands to count, suddenly his cerberus had gone out. It was quite a few people, he hopes they are logistically sound to take down eight people. No, they're going to die of hunger and thirst.

>Barroco
That's how it is. I hope you find your father in that case.

They had already had this conversation before, he had already told her all this, but she went along with it.

Barroco
I can take you, it's not a good idea to wander around the swamp, you'll know that well enough. It's that way if I'm not mistaken, follow the grove.

Jelou Demon gets up to walk.

>Barroco
I remind you that I don't have legs, I can't even roll.

That they had to carry the damn guy. So he indicates the way to the camp, trying not to move through dangerous places.

>Barroco
This swamp reminds me of a friend's. He owned a swamp, he had papers.

= = =
= = =
= = =

Again, sorry for the delay. , kek.
No.7016
Ammolite-9e3e84 Rolero
No.7017
Color-Change Diaspore-b81f36 Defecto y error
>>6943
>>6944
>>6980
>Wes in preterite

"It's true... I'd never had someone teach me anything before, I always learned things on my own... this will be weird. But missing an opportunity isn't something you should do either." He kept telling his lore, up to the part about the bugs. "They're bug people, like ants or mantises, they've got four arms and huge colonies." Then we moved on to the important part, the lunar talk about the moon and the feelings it evokes.

"I'm not very sure... but if there's one thing I know, it's that the Moon has never failed me. It's always been with me, like my other half, always lighting my way through dark nights and guiding me through storms. I'd never doubt her..."

Now came the part about Ario, and the black guy listened intently, fighting his ADHD so it wouldn't distract him with some stupid thing like the dirt between his fingers. The sandy-haired friend was someone marked by violence, also by the path of survival just like him, but there was something more, something darker (not exactly like Wes) and violent—maybe even... ultraviolent.

"I've killed a lot of people too, many for sure who didn't deserve it, and now I wonder whether it was necessary or not when I reflect on justifying my actions..." His stomach growled. "This diarrhea hit me hard."

Then came the part about his love for that cat woman and his descent into the abyss. "That woman sounds like your Moon, I feel you, man." Talking about it seemed like it might trigger a stroke, but in reality he was just having a mental breakdown express, where he also dropped his violent philosophy: "If love is important, then hate is fuel, and drugs make the world spin—from the level where animals only exist to survive, all the way up to empires starting wars over stupid shit and then trying to fix everything with a marriage."

"But ever since that diarrhea and that weird dream I had with metal horses, those 'taxis', I've been thinking: is endless violence in the name of survival really all there is? Could all these sacrifices and efforts not be used to steer the sail in another direction? I don't know, it's been circling my mind a lot. If my hands are so good at destroying and persisting, they must be able to do something else too... like you, you kill, but you also create art. Isn't that something beautiful, showing the breadth of your spectrum?" He was getting pretty philosophical too; must've been the influence of talking rocks somewhere.
...

When they arrive at the heart of the matter, Wes does some stretches to avoid a sprain in his wings, and the Manatee proceeds to self-immolate.

"Are you sure about what you're doing?" Lol no "I like your girl but I don't know how to comfort her if her father bleeds out in the swamp"

The Manatee was too busy with his own thing, so Wes moves ahead.

...
>>6981
>Eirim

We return to our usual prayers, but amidst screams and powers that have no effect on an apparent undead, things were going badly, really badly.

While Pupus was giving Gerardo his motivational speech, Eirim has to solo Kristofer Robinsoner, and this results in her Rosary being stolen.

"Hey, that's my--"

The whiplash of the scene leaves her cold, colder than usual, her Rosary shatters into pieces, and it's as if something had broken, her connection, the observers, it's as if the whole world had gone silent, there was no waterfall, no sounds of fighting, total sensory deprivation.

Her senses then return when Kris breaks her face with a punch and leaves her 3/4 dead on the stairs. This is when the rest of the team arrives for the relief.

...
>>6982
>Wes

His shit doesn't work, bad luck, luckily he was armed and after centering himself, he charges with all he has to guillotine Kristof's oak stump neck.

The cut lands, but Wes is the one left trembling like an anvil on the floor after that blow, which gives Manat the opportunity to deliver his tremendous blow that changes the damn climate of the place.

"ATCHOOO" He sneezes from the atmospheric change

He sees that Kris wanted to keep beating up the weaklings, so he attacks to stop him, and on his third turn, he suplexes him to drive his head into the ground and mess up his rhythm.

"Manat, come on, balls, slice him like ham!"

Meanwhile, Eirim was all beaten up and messed up, mumbling her prayers while they healed her, and then she returned the favor to Pupus.

<Wes
>T 1 and 2 attack kris
1d20+3 = 17 1d8+18 = 19
1d20+3 = 11 1d8+18 = 25
>T 3 Suplex to Kris
1d70 = 14 Would this have a +3 too?

<Eirim
>T1 prayer
1d12 = 2 + faith 9/25
>T 2 Prayer
1d12 = 12
>T 3
Healing light to pupus 3d9 = 8 -3 faith

<Cherub 1
>T 1, 2, and 3
1d20 = 8 3d3 = 6
1d20 = 14 3d3 = 6
1d20 = 5 3d3 = 6

<Cherub 2
>T 1 scrutiny
1d6 = 4
>T 2 and 3
1d20 = 17 3d3 = 5
1d20 = 5 3d3 = 6
No.7240
Hessonite-ef8da9 Rolero
No.7241
Color-Change Diaspore-b81f36 Defecto y error
>>7241
Ayyy hell yeah, where was the little letter of that??
Well... given to pick up pieces of rosary 1d20 = 15
Given to make attack 1d20 = 18 kek
No.7242
Color-Change Diaspore-b81f36 Defecto y error
No.7243
Hessonite-ef8da9 Rolero
No.7244
Hessonite-ef8da9 Rolero
No.7245
Andalusite-6a3526 Rolero
No.7246
Andalusite-6a3526 Rolero
Sending this first. Tomorrow maybe the Misella thing, which I'm writing if I'm lucky I'll drop it later, I'm almost done, in quotes
I'm making an appearance because I'm seeing very big numbers and I don't know who's killing who. It scares me that my little blacks are in shit danger
>>121867
>>121868
https://www.youtube.com/watch?v=-GT-5rLBlyk<Hurr

His eyes feel heavy. Sleep takes hold of him. What was darkness fades away to reveal the light, only blocked by the site's mist.
With slow, heavy steps, he makes his way through the mountain's humidity, climbing the stairs that seem to touch the sky and surpass it without any apparent end.
In the giant's arms, his sister is found: small and fragile as she has always been in his eyes. Though he tries to cover her with his own body, to give her warmth and protection, something always seems to be missing to feel calm, sure that nothing will happen to her.
One step, two. His body grows, and the cultist's becomes smaller. At first he doesn't notice, but little by little he realizes the hill no longer has space for him, just as in his arms, there is too much space for Misella, too much to hold her properly.
He speeds up feeling the ground cracking beneath him, and the mere thought of losing his sister terrifies him. He advances without care or precaution, trying to reach the summit. Ignoring the cuts he thinks the heavy air leaves in his throat. Ignoring that the world is insufficient to keep him afloat and safe
He sighs in relief upon reaching the summit, seeing how even the mist seems to welcome him. Happy to have made it, he looks down searching for the acolyte, finding that now his arms are empty.

M-Misella...?

He asks the wind, quiet, waiting for an answer that doesn't come and drives him to desperation, pushing him to search for her in that silent valley.
A movement is felt, there, from the corner of his eye, the figure of Misella.
It wasn't one, nor two, many are slipping, running, hiding, and laughing among the nature. They play, think, and crush what they find within the space the mountain's peak offers.
All far from the giant, who shouts his sister's name over and over, seeking for them to lend him attention, to approach him on their own, without success.
He extends his hand to reach them, to catch them in his shelter. The silence of nature is replaced by a constant, sharp buzzing in his ears. Deep in the Giant's heart, there is pain, the pain of a plea never spoken, only felt, yet ignored. And stopping disappears as an option.
He grabs one, the other slips away. He lets go and goes for the one he thinks is about to vanish from sight. The Misellas get lost among the brush, the air, and the earth. Hurr repeats his actions, anguished, seeking to grasp as much as he can, only to have the same result no matter what.
The ground softens and sinks. It swallows the acolytes whole, engulfing them from head to toe. The giant crouches, plunging his hands in search of them, to save them, without noticing that he too is soaking in the mud, trapping himself before the vague and non-existent hope that he might rescue even one of them.
The mountain vanishes. Darkness looms over the void that was once a valley. Unmoving in place, Hurr looks through his stained fingers and panting breath, trying to find a mistake, a reason to punish himself, and at the same time, push himself to go after her once more despite the exhaustion and knowing how useless it would be to try again. The only thing that breaks his small thought is a flash, followed by the silhouettes of his sister moving away.
None look back, none offer salvation or an answer to what plagues him; they simply leave. They walk, calmly, without paying him attention, twisting an invisible dagger that pierces his chest all the way to his back, setting flesh, bones, and nerves ablaze, leaving a mark heavier and deeper than any other.
In the end, before the mist finishes consuming him, he notices how one Misella stops to look at him. With pity? With rage? With sadness? He doesn't know, and it shames him to try to find out.

1/2
No.7247
Andalusite-6a3526 Rolero
>>7247
aggressive reminder that character limits are a lie and are much less than they say

.....
.....
https://www.youtube.com/watch?v=Al6CMyLmOvUWake up. With the sound of a rooster announcing dawn and the first rays striking his face, the giant has no choice but to slowly open his eyelids, slowly, absorbing the fact that a new day has arrived.
Carefully, he rises, making the wood beneath his body creak and further disheveling the already tattered sheets covering him. With his feet on the cold wood, he takes his time to start the silent morning with scraps of firewood from the previous day.
Dew and the smell of iron accompany him during the short journey in search of a tunic to put on. In the distance, the immense solemn prairie watches him alongside the nature that seems to be waking up slowly with him.
In a couple of steps he reaches the kitchen. With mechanical movements, turned into habit by the apparent eternity that forged them, he grabs a couple of dry branches and a stone to relight the fire in the spot.
Bread, milk, and the proper tools to make breakfast. He doesn't rush nor is he slow: he has his rhythm and doesn't break it no matter how it seems the day runs without him.
The rest of the beings are starting their morning. Dogs bark and birds sing. Hurr sits on the dining room floor, planning to enjoy his meal, but something bothers him.
It wasn't the crackling of the fire, nor the bell heard in the distance, it was the lack of something that could break the calm, the stillness of an atmosphere created beforehand.
He bites, tastes the bread, and swallows. The sensation he has doesn't disappear. There is a void that simply isn't filled. Behind the door, in that perfect painting of the exterior, the falseness becomes noticeable. A rough sky, a prairie that extends infinitely, the light that seems to illuminate what it touches. Nothing remains nor fills. This, but not, it goes as it comes and simply slips away to the possibility of staying. Void. Nothing around him gives meaning to the hole he has.
A question resonates. No one really lets it out, it appears, furtive, but with firmness, making itself noticed.
Hurr pushes the food aside, leaving it on the poorly placed and designed table for someone of his size. He looks out, through the imperfect window that gives onto the prairie's glow.

What am I missing...?

He repeats with a lost gaze, searching in the distance for a figure he doesn't want to appear. Searching to answer, from the deepest part of his heart, sincerely and honestly.

I'm missing so much...

He answers. His eyes slowly turning glassy and his lips trembling.
I lack courage

I lack intelligence

I lack strength and wisdom

I lack so much…

Pause. He rises with exhaustion and sorrow, as if his body were about to surrender to the world's gravity. Turning halfway, he silently surveys the house and the scene presented beyond the door.

I lack her

He admits. Tears roll down his cheeks. And the small cracks that the abyss had made present become too clear to ignore.

When I saw her, for the first time, so small and fragile in my hands, I knew, I knew it… I wouldn't be alone, not again: I was sent a gift, a miracle, and I had to defend it…I was supposed to defend it....

He sobs. The whirlwind of emotions takes hold of him, but no matter how much it hurts to admit it, he can no longer hold it back. He can no longer stop the feeling of being inadequate, of not being ready or prepared despite how much he loves his sister. Of how terrifying it is to lose her, of how scared he is of the possibility of not being able to follow her, of how much he hates himself for being unable to give his most beloved what she deserves.
Of how he detests being him and not who he should be to prevent everything that has happened and will happen in the future.

I-was supposed to, I, had to be her tower, her watchman, the, the walls that would stop the world and its pains, the unbreakable shield and the warmest blanket… I lack, I lack so much, and because of that, she too, I lack…

He didn't descend into the abyss for riches, nor power, nor the maximum wisdom this reality could grant him. His goal was so simple that they could perfectly mock him if he ever expressed it out loud, and they would have plenty of reason to call him a fool and a simpleton.
Love
He went down because Misella wanted to go down, and not knowing what was right, whether to stop her or let her go, he preferred to follow her to the deepest depths, because losing her, not knowing her whereabouts, was worse than facing the malicious whispers of the underworld.

What should I do…?

He asks, wiping his tears, looking through the window.

I'm so tiny, life terrifies me… But I'm incapable of letting go of what I love, that would break me more than any torture

He approaches, grabs the frame with both hands and lowers his head in supplication, hoping that a voice, someone, will give him an answer.

If I can't be a sword, nor a shield, nor a mentor, what's left for me…? I want to walk beside her, but I don't know how, I have no idea. I've never done anything like that… And I don't know if I'm allowed to be the one who moves forward with her, after not wanting to let go of her out of an absurd fear….

2/2
No.7248
Chalcopyrite-bf5628 Rolero
>>7247
welcome back negro
No.7249
Cassiterite-11528f Defecto y error
No.7250
Cornwallite-e27d3f The Clash
>>6980
>>6981
>>6982
>>6983
>>7240

Marat watched, didn't understand. He couldn't quite grasp the clouds and that damn mirror thing. The drugs from years ago were hitting him with a delayed effect, like when you close your eyes and see those weird movements in the dark, only this was in the air and with the mirror thing. He didn't get it, to the point where he didn't care. Sometimes you don't have to overthink things, because in the end what happens down here is irrelevant to you.

Setting aside what he didn't understand, he now walked alongside the bum and the girl as they talked about the tragedy of their lives and all that social stuff. Of course his questions were answered, about the bug-men.

>Manat
'(A world so strange that we live in.)'

He took it as valid; he wasn't going to doubt their words because he'd seen weird shit too, like that strange family and their cellar with its underground maze. There was a pact neither of the two brothers would ever speak a word about what happened in that house, for the sake of their mental health. Being a killer for a handful of coins isn't a job for the weak; horror is just around the corner, and there will always be people sicker than him.

>Manat
...

Moving on to what really matters here, West talks to him about the moon and answers his doubt. Weird thoughts, terrible schizophrenia, though he supposes it's normal to cling to this kind of stuff when your whole life is based on running from people who want to kill you for being ugly. One clings to horoscopes like a spurned teenager, and he understood because he was a gypsy, knew how to read cards.

>Manat
I see. The moon, the only witness to the lovers.

He didn't add much more; he had nothing to comment on and wasn't going to tell him it was terrible schizophrenia because he was in the same boat. Here telling his lore.

Yes, in fact, Manat was a Jorge and bad people. In his childhood, once it got into his head that he wouldn't be treated the same as others. Other children had disappeared, he'd killed the orphanage lady, then that Arab killer mentioned in the dream, and finally, he'd set the building on fire. Too ultraviolent for a simple kid. His only regret about all this was that his sister had been left with superficial scars, except for the one on her face... and the mental one, because that's when he started fearing heights. Quite a story; hate leaves marks and destroys others just as much as oneself.
<I've killed a lot of people too, many who didn't deserve it, and now I wonder if it was necessary or not when I weigh the nature of justifying my acts...

>Manat
Sometimes nothing needs justifying, it just is, it happened. The dead don't speak, you don't have to worry about that. The dead only speak while you keep them in your mind.

<That diarrhea hit me hard

Great conclusion to the thought. Continuing then with Azahara and the whole thing about fear leading to anger, anger leading to hate, hate leading to suffering, and suffering to the Dark Side of the Force or something like that. The black guy apologizes for the loss, but it doesn't spark a reaction because it no longer mattered, then he drops something that continues that train of thought.

>Manat
Animals don't feel love, they don't feel hate, you could barely say they're alive.

Full-on specists, these two sons of bitches. Animals aren't people, minimum respect for them, the shudras, the lowest caste because in the end people couldn't exist without them. Always specists, never racists. But putting that aside, West kept going with his thing, commenting that maybe there's something more for people like them. Maybe yes, maybe no.

>Manat
...

For a few moments he stays silent, watching the path ahead of them, thinking about everything discussed so far. He looked at the girl walking around there, listening to what the two bums were talking about. Then he has his answer.

>Manat
There are no bad people, no good people, just people. You aren't bad or good, just a mix of both. I'm not good, I'm not bad, just a mix of both. Both of us can commit atrocities or bless this world.

But

What is good and what is evil? If I walk over to that girl right now and break her neck, would that make me an evil person? Who decides? What we've been taught and what we've learned? The eyes of others judging our actions? If I spare the life of a rapist, am I a good person?

Another pause for drama, then he continues, raising the sword to look at it in that violent red that was already becoming painful to the mind.

>Manat
In my land, women are objects, magic is disgusting, and young people are numbers in an army, that's good. In this fertile land, people are traded like livestock, religion wipes out the population in search of heresy though this was more of a political conspiracy, kek and they torture a man without reason and without anyone raising an eyebrow, or making a spectacle of a public execution; that's good.
... Good and evil, only you can decide, not by what you were taught or where you come from, but by what you learn along the way.

What I was trying to get at is that good and evil are just a social meme that changes a lot depending on geography and other factors, and to unlock the legendary Übermensch skin you have to create your own morality, which is why Manat has a neutral good alignment.

>Manat
Just because I want blood and violence doesn't mean I'm gonna eat a living man's guts, or kill a kid just for fun, or not help someone in need, or be a dick to others. But tell me, what about you? Where do you aim that candle you're talking about? The world has rejected and abused you since birth; you should be burning with hate.

He was trying to shove his bullshit ideology of hate down my throat, that hate is the engine of strength, that you have to destroy yourself to be reborn, or some other shit like that.

>Manat
If you wanted a life of acceptance, you'd have stayed with those insect people you mentioned. You're here now by your own hands, killing and eating corpses.

Ayy bird, he gives his bro some shoulder pats. Basically implying those insect men had accepted him into their colony and hadn't kidnapped him to eat him or something like that.

The girl who was now showing them a toad she'd grabbed from somewhere was walking by. Manat was gonna tell her not to walk backwards like a good dad, then remembered he wasn't her father.

>Manat
You gonna eat that?

He asked with a smile. Unfortunately, it wasn't gonna happen because the creature slipped away; after all, he only had one hand since the other was holding the axe. Still, the son of a bitch laughs at someone else's misfortune.

>Manat
Come on, kid, there'll be bigger beasts to conquer later.
Fate will decide.

With a hand on her shoulder, he walks alongside the malnourished little girl. He'd also tossed the coin somewhere behind them, but it didn't even hit the target since he wasn't in the mood for ragebait.

= = =
= = =
= = =

Not too far away, not too far in time, Gerardo was waiting for his death on the stone floor, not far from his pool of blood where the joint had gone out. It was discouraging because they couldn't do anything; the guy was a vastly superior threat, way over their level.

<Don't say that like it's a conclusion. Damn it, Gerardo, you can't just... Agh
The Putis approaches him and speaks, crouching while that guy gets close to open their ass in a way that's way too realistic. Gerardo just had his eyes closed; he couldn't move either.

<I've seen people die before their time, not from wounds.

Yeah, exactly what he'd thought before. Sometimes people die without even realizing it, people like him. Maybe he'd been dead for ages and the only thing moving him was the iron will of the human spirit and all that crap. He hadn't given up yet, but this gender-fluid obstacle was too much for him and crushed his hope. Great, he's giving him one of those motivational speeches, the kind your mind screams at 3 AM and you get up to lift weights, that exact one.

Gerardo
What can I say? It was a good life with a bad rep, but I can't go on.

High-ass guy who was dragging morale down, yet his shitty summons were still fighting, so he hadn't given up completely. Right there he opens one eye and watches an atomic blow send the bitch flying, another victim of the Aryan slap. Obviously, she's left in pieces lying around.

>Gerardo
''(Well, I guess we're next. I'm
No.7251
Cornwallite-e27d3f The Clash
>>7251

Manat was bleeding. The sword remained embedded, still tearing through flesh to the point he had lost consciousness, yet he stood there upright, like when dodging attacks while fainting from low blood sugar—sheer iron will. His body trembled, strength long gone, and surely later he'd die from anemia, but here and now, everything darkened. The girl who had been wandering nearby, whom he hadn't paid attention to while focusing so intently on his body, approached to help pull out the blade piercing his abdomen, tugging at it with both of them, yet he couldn't feel her small hands with his.

Calm. Death.

He was unconscious, and there came that disturbing memory again. He hadn't died from his neck snapping on the rope; instead, he'd met a terrible end, suffocating—the worst death of all. But he couldn't hate, couldn't feel sadness—only calm and sedation remained. After all, he had already accepted his death. Now more memories surfaced—good ones, of his sister, of wood, of love. That was what being amounted to in the end: a collection of feelings with consciousness.

And amid the calm of death, the thirst for blood activated to stabilize himself; otherwise, he would have slipped away entirely.

https://youtu.be/6_LsCe4jUF8?si=Nk2tDWSc6n7J_rpF
He returned to his senses, able to perceive everything. Pain, hatred, failure, success, sedation, calm, peace. The experience of existence in a single moment—everything blended together, everything seemed to make sense. Ultraviolence alongside the power of love. This was harmony, the complete set of all pieces, because one could not exist without the other. He felt good, as if everything in the world made sense, as if touching the stars with one hand, accomplishing the impossible. The fusion of the ethereal with the physical.

>Manat
(Since when... has the world been so precious?)

It was red—the violent red, but also the powerful red of love, of life. An incorruptible duality, just like his own existence.
The girl's red hands on his face felt strangely comforting to someone who didn't like being touched, so he reaches out and hugs her, kneeling there with one knee in the water. He smiles; blood leaks from his mouth and nose, but it doesn't matter at all because everything is fine—comforting. The sun is comforting, the sound is comforting, the swampy wind against his skin is comforting, the red of the world around him is comforting, this small soul is comforting. One of the few times everything was in harmony.

In the end, he rises trembling, but in this timeline he says nothing, not even making a sound as he stumbles alongside the girl toward the bridge, then launches himself silently at Khris, spear in hand... though they were throwing spears, not meant for close combat—done purely for dramatic effect. He throws himself forward with all his might, with the full force of his soul burning like a thousand suns.

>Manat
(All those years together and I never could tell you how much I loved you, how much I love you. I wanted to hate you for your sacrifice so the two of us could live, wanted to hate you so I wouldn't feel anymore, but I always fall back to the same thing—I always fall back to you. I think you were right—the love is the strongest force in this world.)

And he was going to perform a miracle because there's no fucking way I roll two natural 20s in the same turn again. He charges with insane power, tearing up bricks beneath his feet, and when the primitive weapon strikes the muscular man, it shatters into pieces—but the fist clutching a splintered wooden shaft impacts with such force that it creates a shockwave, dispersing the surrounding mist.

It was love—the power of love—combined with everything else.

Now there was only silence as a light drizzle began to fall from the impact. Gerardo was left utterly stunned, doubting his own eyes at what he'd just witnessed. Yet his disbelief would only grow when he sees that Kris Deltarune remains completely unharmed—an impossibility, since that hit of 119 damage should have one-shotted any random enemy or at least left them fucked. Khris was built different. Iron tier wasn't a joke.
>Gerardo
Do you think we can win then, Caius? After that?

He speaks to the Pupus who were still messing around nearby like him. But in the end, he was right, obviously he wasn't going to say it out loud, but he was right. Seeing those two hit the stone wall that was the yellow guy (Simpson) filled him with heroic valor, with the courage to stand up and take the damn staff from the bratty kid of his clone. Now he had to think of a way to finish this guy, so he starts calculating while the priest goes with the all-beaten-up nun.

Returning to Manaos, it doesn't seem to have hurt him, he even taunts him, he acts tough with the guy all beaten up, standing there enduring the pain not only of his insides, but of his arm which now holds the sword and the spear. Manat holds onto the other's shoulder and vomits blood onto the ground, but he was strangely calm for being almost dead. He had no worries, everything in the world was right. At this particular moment he felt no hatred or anything personal for this guy or for anyone. He just was.

>Manat
(I don't care what you are or who you are, you're in my way, you're attacking my friends, my family, therefore I have to destroy you even if it costs me my life.)

Not kill, fucking destroy. He spoke to him telepathically, that thing he sometimes does with his sister to talk without talking. Surely the subject understood the message. Because yes, Manat was a Jorge, even a weirdo, but a real one, a loyal one. Family comes first, and ultraviolence, like a weapon, is a tool he's now going to use to break that non-binary ass.

Anyway, Kris gets rid of him like nothing and goes to beat up the others, Manat hits from behind but does nothing, the guy was a tower. Maybe he had run out of juice or wasn't strong enough.

Luckily, in this AMV from 2009 that they had for a fight, Gerardius reaches a conclusion after throwing a shield at Manaos who was the most beaten up... It wasn't his last bit of Hamon or it hadn't left Kris at one hit, but what was important was his conclusion. Kris Deltarune is immune to physical damage or has very high defenses, he has already been hit by all three types of physical damage and they had almost no effect, therefore his conclusion is that he must be weak to magical damage. Where had he gotten this from? Probably from a porn RPG of dubious quality, like most porn games. On the other hand, he was injured in some areas, so they should attack him from there, from the openings in the armor of muscles.

>Gerardo
Try to attack him in the exposed organs and the bad leg! I have a hypothesis!

The fucking nerd finally moves his ass while the other two try to hold the enemy back. He prepares his meme ray and throws it, taking advantage of the fact that he was wet from the drizzle and from the waterfall's ascent. On the other hand, the others attacked him and Manat gets the bad luck, but then continues trying to thrust the spear into his heart through the hole in his torso.

Gerardo
>t1 vs Kris Deltarune
Lightning Chain
1d20 = 17 1d15 = 7
1d15 = 6
1d8 = 7
1d8 = 1
1d8 = 5
1d4 = 2
1d4 = 1
1d4 = 1
Alk 1/25
>t2 vs Kris Deltarune
1d20 = 6 3d2 = 4
>t3 vs Kris Deltarune
1d20 = 12 3d2 = 5

Clone
>t1 vs Kris Deltarune
1d20 = 1 1d2 = 2
>t2 vs Kris Deltarune
1d20 = 3 1d2 = 2
>t3
Tries to pick up the brat's beads if they haven't already fucked him up.
1d20 = 18

Manat
>t1
Bloodlust
>t2
Sugar crash.
>t3 vs Kris Deltarune
Love
1d20 = 5 1d20+12 = 15
1d20+12 = 19
1d20+12 = 14
No.7252
Cornwallite-e27d3f The Clash
>>7252
The fuck you, Gerardo. It was your only job.
There's one thing Kris doesn't have https://youtu.be/lzMUGyTKZ_c?si=anmL9Zj4YnpZmdNf
>>7247
Welcome back to the Crater, black. Abandon all hope and tell the other black guy who told you rainbow shit. Kek
No.7253
Cancrinite-d97fa0 Rolero
>>121933
>>121941
>>121944
https://www.youtube.com/watch?v=EhmXo0S81ts<Misella

Sounds appear, amorphous, impossible to comprehend for the little one due to the distance. Soon more sounds join in, and an image begins to form in Misella's head.
Tinkling, laughter, murmurs. The music blends with the echo of voices, followed by the scent of perfume and food.
The occultist snaps her eyes open and struggles to rise. The light from the candelabras and the site's brilliance make her dizziness worsen at times, yet she manages to stay on her feet with great difficulty, sweeping her gaze around.
At first glance, it looks like a high-society party, with couples dancing, men dressed elegantly, and women trying to look impossibly enchanting. On a second look, she begins to notice the discrepancies.
Masks. Every guest wore a golden mask on their face. Immaculate, with the same expression, frozen in time, differentiated only by small ornaments and the intensity of the brilliance they emit.
Misella takes a few seconds to regain her strength, looks around searching for a familiar face, so as not to feel lost or alone, finding only portraits of pompous men and women, food no one has touched, and movements meticulously practiced to the point of exhaustion.
Then, the atmosphere changes. One of the guests turns toward the little one to look at her, startling her and putting her on guard, like an animal trapped in a cage.
One by one, everyone present fixes their eyes on her. The murmurs end, replaced by silence only broken by the waltz still being played somewhere in the hall. The cultist slowly and silently retreats, seeking to press herself against a nearby wall, freezing like a rock when they approach.

W-What...?

She whispers, confused, so quietly it seems she doesn't want anyone else to hear.
Slowly, the place fills with applause and cheers; everyone celebrates the little one, everyone seems happy with her presence.
They approach her, touch her, try to grab her and invade her space. The occultist does her best to stay away from the crowd, shrinking, looking for a gap to slip through and hide like a stray cat before an unknown presence, but no matter how hard she tries, it's in vain: she finds no corner where the brilliance of the masks, with their eternal smiles, cannot reach her.
The clamor of the place consumes her, makes her dizzy; with luck, she can focus on the figure of herself reflected in the faces looking at her closely. She cannot resist the movement that throws her from side to side until she ends up in the center of the room. This loss. Confused and disoriented. Her breathing accelerates, and sweat begins to run down her back and legs.
The temperature, the smell, the sounds. It was an orchestra composed to prevent her from moving and thinking as she pleases. Any new color that invades her makes her startle; any wind that blows behind her neck makes her hunch over seeking shelter.
The final nail in the coffin comes in the form of laughter. Deafening. The noises mixed into a cacophony that shattered the little girl's ears, leaving behind only a whine unable to overcome the dissonant music enveloping her. Slowly she loses strength, her legs give way, the figure, already short to begin with, grows even smaller as she tries to find refuge on the floor to lean against. The only thing that saved her, in that instant, was a dry sound that broke into the scene.
It was a blow. One that returned breath and composure to Misella, enough not to lose herself in the acts of the party, followed by the sound of cups and plates shattering. Looking up, she finds a man lying on the floor. Pieces of gold from his mask scattered everywhere.
The silence it causes seems almost as deafening as the music itself that just seconds ago flooded the place. The guests' eyes fall on whoever caused such a disaster, but no one moves a muscle to help him.
The occultist finds strength in that small space to regain her posture and stand up. Soaked in her own sweat, she looks closely at the subject on the floor. Half of the golden face was near him, scattered across the hall, still with that expression of happiness. And the stranger, slowly, raises his head revealing what lies behind the paraphernalia.
A bottomless hole, where nothing can be seen. Pure darkness without a shred of light despite the illumination and glow of the party. There is nothing where a face should be. Just a void, which cannot even be registered that way, since the very luminosity seems to want to avoid coming into contact.
The guests step back, the air grows heavy, and time stops. Within the immense darkness, something looks directly at Misella, deeply, wanting to connect with her being.
The abyss utters words that pierce the atmosphere, echoing around. No one moves until someone decides to let out a small laugh, at first soft, followed by another, and another, and another, until forming a surge of guffaws that trample each other trying to overpower one another.
The little girl covers her ears and takes a half-step back, retreating instinctively before the roars that erupt from the masked ones. Then, she feels it, right under the soles of her bare feet: a crack.
Looking down, she comes face to face with a fissure. The floor began to crack and crumble, revealing, beyond it, an infinite drop with no bottom in sight.
The cultist moves. She pushes tables, women, and men running from an inescapable fate. The columns twist, collapse, and the paintings change their appearance. The party slowly collapses, devoured by the abyss, and only she seems to want to avoid ending up consumed by the darkness.
The candles go out, people fall along with the decorations. In the end, the hall detaches and everything falls, including her.

1/2-3
No.7254
Cancrinite-d97fa0 Rolero
>>7254

....
....
https://www.youtube.com/watch?v=TJ6Mzvh3XCcOpen your eyes again, this time in a new location. Heart pounding a thousand beats a minute, gather as much information as you can.
At first glance, they seemed like ruins, but with closer inspection, one can guess it's a kind of church. The altar, the walls, and the pillars indicate that. And the woman moving heavily through the dust and dirt with a broken book in her hands.
The little one does her best to hide behind some rubble/pillars and stay unnoticed, waiting for the chance to run away before she ends up encountering another ballad full of abyssal beings, but instead, she stumbles upon a scene that was impossible not to resonate with her.
She peeks out. The parishioner's expression, her posture, the plea falling on deaf ears, even the ruins surrounding her make her connect with the unknown: she is lost. There is no longer any physical or spiritual bond that could keep her connected to the one she saw as a deity.

….

Misella hesitates, stays still for a few seconds, and just as she is about to take the first step that will lead her to reveal herself, a noise erupts in what remains of the church.
Footsteps are heard. A man enters with a firm stride, raising the ashes. Calm in his figure, carrying on his face what seemed to be centuries of wisdom.
The little one hides again, staying on guard for whatever might happen between the two of them. Fortunately, there is no fight, but the beginning of a conversation.

…..

Presses her back against the cold and dirty pile of rock that keeps her out of sight of the strangers. Although they are not talking to her, she cannot feel like an outsider. It almost seems like they are trying to tell her something, in a strange and indirect way.

(He was always with me…)

She stops, shakes her head.

(No, maybe…Maybe he was just showing his greatness…And that's why he left me, I never truly appreciated it…)

But, what if his absence isn't bad? And what if it was actually an opportunity given by Him to grow as a person and a believer.

(Impossible)

She concludes without a shred of doubt.

(It makes no sense, why now and not before? It can only be that I failed, that I did something to deserve this…)

Yes and no. It's not that she didn't do something before, she did, more than once, even before descending into the abyss, and even while inside this sacred ground, she made mistakes, like stealing and killing those who are, in theory, her fellow believers.
But it was something else that finally tipped the scales, and not even because of something that happened, but because she herself decided that silence was a lack, a lack that never existed in the first place, since no one told her that a reserved and modest stance, on the part of her God, was necessarily a symbol of abandonment.
Misella hugged her legs, hiding her head in them like a child afraid to leave her room. She is terrified of thinking about trying and failing. Of continuing to search without finding it. She fears so much the idea of never being able to feel it again that she prefers to stay still, in her spot, making no sound. Motionless in time until things pass, or until her energy runs out to think about it.
But, for better or worse, the answer lies in doing the opposite: she must continue. Even if imperfectly, with barely any desire to do so, she must remain firm, believing that, one day, she will have it by her side again.

…..

She sniffles through her nose. With tearful eyes, she gets on all fours and starts shaking the dust off the floor with her hands, clearing the dirt until she can make a small space to draw.
Biting her index finger, she makes a small wound on the fingertip. Her hands tremble, but she doesn't stop from tracing, right there in that lost and secluded corner, a small symbol of the demon king.

(...I just have... to strike, right?)

Her heart beats. She has a hundred doubts in her head, and a hundred notions telling her she is wasting time, that it is already too late and she will never be able to have what she once had with her.
Even so, she chooses to believe. She chooses to try. She chooses not to lose faith. She chooses to tear down the wall she imposed on herself and start over.
Exhaling, she brings her small hands together and closes her eyes, concentrating, not on asking or thanking, but simply on praying. On the action that once gave her strength to keep going, despite being a child the world always rejected, and only her brother wanted.
She no longer wants to feel special, nor get drunk on blind conviction. She just wants to reconnect with that which makes her be. With that which saw her grow and shaped her. With that which she always kept guarded in her spirit.
Focused on taking a first step. She doesn't even notice when the voices fall silent and the darkness returns.

2/3
No.7255
Cancrinite-d97fa0 Rolero
>>7255

.....
A palpable shift in the air surrounding her forces her to open her eyes. The ruins of the church have turned to stone: the floor, the columns, the walls. On the horizon, only an infinite, colossal hallway is visible, with no apparent end, adorned with lines attempting to recreate lost intentions that no one will ever discover. The landscape is dwarfed by the immensity of the ceiling suspended above the little girl's head: black, with no sign of where it ends.
The atmosphere grows silent, heavy, still, stagnant. There is no soul or figure appearing to the occultist, unlike before. With the caution of one afraid to take a wrong step, she begins her journey through the corridor, each footstep echoing and traveling through the calm suspended in this tiny corner of reality.
Slowly, as the architecture changes along with her, a voice grows louder. First it is a whisper, a sound hidden in the echo of Misella's footsteps, but soon it is heard with fear.
Another follows, firm, and another, mocking. Despite delivering different messages, they all sound the same to the occultist, and all point an invisible finger at her.

No… It's not true!

She covers her ears; she doesn't want to listen to the whirlwind of emotions swirling around her, but she cannot escape, for the voices do not come from outside, but from within.
She runs. With her head pounding with every syllable expelled by the murmurs, she desperately traverses the immensity of the place in a vain attempt to leave behind intrusive thoughts she cannot feel as foreign.

I… I never wanted this!

She screams, tears in her eyes, and the voices stop.
She halts when the silence becomes painfully intense. Looking around, it seems she has reached the end of the hallway.
A hall welcomes her, far removed from all the noise of the outside. It follows the same pattern as the rest of the architecture, made entirely of stone, yet it appears more vast than anything she has ever seen, despite lacking ornaments or details. The only thing that catches the eye are the steps leading to an immense throne, large enough to make it difficult to imagine who or what could use it.
Misella makes her way through the room with caution, looking in all directions in case the owner jumps on her, but, incredibly, it is the absence of anyone that keeps her on guard. As if it shouldn't be empty. As if it were unnatural to be so.
Then, a presence appears without warning, without letting out a sigh, yet making itself felt with force; it is impossible to miss. That incomprehensible aura, that cloak surrounding her that made even reality tremble. The little girl's hair stands on end as she turns to find the back of a huge entity, without concrete features, and of a convoluted figure that did not reveal whether it was a man, a woman, or an effigy.
Misella swallows hard and tries to circle the immensity before her to see it face-to-face. She takes one step, two, three, but fails to achieve her goal. Every time she moves, the figure moves with her, ultimately always showing her its back no matter how she positions herself.
She stops, staring fixedly at who should be her deity, not quite sure how to proceed. Her body screams that she must kneel, but the sensation behind her head tells her otherwise, that she should not make false moves out of respect.
The veil that seems to cover the king stirs. Slowly, the figure begins to move toward the little girl, turning to face her and locking eyes.
In the entity's eyes there is no anger, no sorrow, no curiosity, only weariness, a fatigue so profound it transcends the physical and settles perpetually in the soul. Along with that, there is also a disappointment incapable of being expressed in words.
The occultist's world crumbles; her face flushes slightly as tears threaten to burst. Words get stuck in her throat, releasing only incoherent sounds in a futile search for a phrase, a word, that could offer a solution.
But she knows, deep down she knows, there is no excuse or explanation that could erase those feelings from the supreme being's unintelligible face.
The light distorts; the shadow of the enormous entity stretches out until it reaches the horizon, adopting a position that does not match its owner's. Likewise, the air in the place comes to life and moves along with the walls and the floor. The little one, frozen where she stands, unable to take a step, stares fixedly at who should be her God.
She is lost. She is aware that something is expected of her, an action, a movement. Not words or apologies. Proofs. Proofs that she still stands before Him, ready to make amends (or so she interprets it).
https://www.youtube.com/watch?v=iazNZy1oRkgShe inhales and exhales. She tries to calm the clamor in her chest and the sweat running down her body. When she manages, somewhat, the trembling of her being, she takes a moment to look properly at what is in front of her.

This is strange

She murmurs. It was too late to think about it, but she never imagined she would reach the day she would speak face-to-face with the entity she venerates and always prays to. It felt uncomfortable. Or is it because the occasion was not one of celebration, but of reproach? She shakes her head to shake off those thoughts and focus on the encounter with the divine [insert here the demon king asking him to stop having ADHD].

…When I heard you for the first time, I was… I was happy…

She admits, with the sorrow of a child who recognizes a prank.

Always, always I was apart from the rest. The world did not want me, nor accept me. I only had Hurr, and little else. I didn't quite know what to do, but… But I had you…

Surely He already knows all this, and much more, things she isn't even aware of, and she doubts quite a bit that what she is saying is anything new for what is supposed to be an omniscient being, but if one thing her giant brother taught her, it is that first you must admit and accept your mistakes.
She doesn't know if it truly counts for anything, but she hopes it is a good way to start what she wants to be a new beginning.

I felt so special, so much so that… That… That I lost my way. Nothing they told me mattered, nor the looks they gave me! It was me, and only me who was illuminated! Not like those sheep… Or so it was supposed to be

Timidly, with the delicacy of someone handling crystal, she raises her hand in search of touching the entity, or, at the very least, simply offering it in a gesture of acceptance.

I don't know if I pushed you away, like many others have done, or if you decided to abandon me, but I don't want that… I don't want to stay like that, like the fanatic who kills and steals for her beliefs, I want… I want to be Misella, the girl who appreciates your company and is grateful for it… in her own way

It may not be appropriate, but she is honest. Even if her body seeks to reject Him in search of self-protection, she wants the opposite; she wants to accept everything He has to offer. And, if she is allowed to be a little selfish, she would love to hear the reasons behind that weariness, and offer comfort in the same way it was given to her.

3/3
No.7256
Cancrinite-d97fa0 Rolero
Reminder that if I say I'm going to send a turn on a certain date, you have to add 1 to 4 years days extra as error margin.
>>7249
Herro herro. I'm back from work in the mines.
Now I have +10 in lungs. Exactly in the branch of lung cancer.
I'm just a few steps away from becoming an oncology meme wizard. My doctor is extremely worried.
>Aldo
What's the summary of what happened? From what I can see you're fighting against a boss, but I don't know how you got here later I'll read all the turns I missed when I have time
The last thing I remember is that Pupus decided to clean his ass with the water you gave us to eat and half the world ended up suffering from sleep paralysis.
That and I think we were talking about the psychotic girl who wanted to join the roll to play as the sent one of Godito Rey.
>>7250
>my macumbas worked kek
You're going to blame me for all the times I slept badly this month
>We're being pounded by a gender undefined giraffe, you can see the return of the tank
Only want me for my life pool What the hell? In reality, I'm not surprised coming from this role.
At least no one has died, right? R-Right?
>>7253
>Welcome back to the Crater, black
It's good to be back I have a lot of contained autism and if I don't let it out I'm going to explode
>Tell the other black guy who told you to eat colored crap.
Let him know that there's no end to my refined exquisite tastes, but don't expect any of you to understand it.
No.7257
Pezzottaite-d12130 Defecto y Error
>>7257
Take care of those lungs before you end up in front of a cigarette box, blackie

>Summary of what happened?
Each one had their respective schizo dream, after waking us up and having more schizo and ultraviolent character development moments, we explored the swamp until we encountered the boss, Gerardo, Pupus and Eirim cheesed phase 1 and now phase 2 would have negdiffeed us if it weren't for Manat and Wes coming with fresh loot, that and Misella and Hurr were dragged on an improvised raft by Pupus all the way, Hurr isn't as fat at the end if not for sinking after being on a leaf and some twigs for 3 hours
>I'm going to blame you for all the times I slept badly this month
If it was so effective I should have cursed people to win the world cup, I didn't make use of my powers

>At least no one has died, right?
Mechanically and physically, no, not yet

>Well let them know that my refined exquisite tastes don't end there
I can't judge you for that, go on with your merry way
No.7258
Herderite-5f735b Rolero
>>7253
>The fuck you born, Gerardo. It was your only job.
The Rempalago doesn't fail, don't worry, the power of love, the spark of life is stronger, because it's the scum of the past, present and future world.
I left you a shit in Your Rol, then lurk kek
No.7309
Hessonite-ef8da9 Rolero
>>7248
>>7247
I think I fucked up my turn, sorry man
https://youtu.be/vwGgQbQErb0~In this room, in this house, something was missing, someone was missing. There were no chairs, no wind, no door, no fly, no sun—well, yes, but none of those things were what was truly missing here. The calm, the furniture sized to fit you, that uncomfortable comfort made you realize something truly important was absent, rendering everything else trivial.

~She was missing.

~Your hands remain gripping the window frame. The old wood barely creaks under the pressure of your fingers. The crying has gradually faded, not because the pain disappeared, but because even pain eventually tires of itself. Tears still trickle down your face from time to time, silently..... You blame yourself, in silence, you martyr yourself, realities you couldn't hide, truths that couldn't be silenced, and as the guilty one, as the lost one, you perform the most primitive act of man... You pray. You cry out, beg for help from a higher being.

<What should I do...?

~You implore, you pray, you wish.... But no one answers.

~Your chest burns, monkish hours are blessed, occultists sacrifice and are rewarded, but you pray... You, you pray.... And you weren't heard. Silence, a silence so deadly and real surrounds you, but not a silence of being ignored, not even of being heard, but a silence of nothingness itself, of a poor man speaking into the void.

~There's no voice descending from the sky.

~No presence passing through the walls.

~No messengers from heaven offering you comfort.

~No signs.

~The vastness remains there.

~Immense.

~Indifferent.

~No one would truly come because no one could truly hear you.

~....

~Only you, the world, and the space that separated them. Your vision became blurry, perhaps from the tension occupying your back, or perhaps from the tears and mucus obstructing your eyes. But the entire landscape, the whole atmosphere felt wavy, in a good way, almost like ripples gently distorting the scenery as they passed through the last rays of the sun in that orange sunset, tinting the clouds an odd reddish-pink. Pic

~Fields stretched out for kilometers, divided into green, ochre, and golden plots. From above, it was as if they formed an irregular mosaic, reminiscent of patchwork quilts made from scraps, squares of different fabrics stitched together, where no piece was identical to another. One of those enormous quilts, large enough to cover your immense body and still have enough left over to wrap your sister too.
~In that landscape, the cold mountain breeze descended slowly, now with a slight wind giving form to its presence, the gentle touch of air against the valley grasses. At the edge of the fields and meadow, where distance blurs things and forces you to squint your sad eyes to distinguish the pinecones hanging from the farthest pines, something seemed to disturb the forest's stillness. At first it was barely a discreet movement among the conifers, a soft undulation running through the treetops and down branches heavy with green needles. The trees gradually parted, as if yielding passage to a presence as vast as themselves. From that distance, anyone might have mistaken it for the wind.

~But it wasn't the wind.
https://youtu.be/-9lky-djA7wDid you see the Winnie the Poh movie? The one where all the events are on pages https://youtu.be/XnEI0-HcZDo?list=PLje2-agUlGnOi392pfUJpIRUG2gP2psum? Well, something like that. It's a dream, don't overthink it too much, everything flows naturally

https://youtu.be/UvJ9tXsTgIc~It was gray like a boulder, and as large as one. It emerged slowly between the trunks. On its back grew layers of thick moss, wildflowers, and small mounds of earth where even some roots had found shelter. At first glance it could have been mistaken for a boulder broken off from the mountain, if not for the fact that it was walking. Because it was breathing. Because it was alive, and watching the world with calm eyes.

~It was a troll.

~Its long nose, adorned with a single wart, appeared between the branches before the rest of its body. With its enormous hands it carefully moved tree trunks aside, as if clearing a path for someone following behind. Its heavy bare feet sank into the damp earth, leaving deep footprints with each step, and behind the slow sway of its long tail through the ferns appeared other, much smaller footprints.

~They belonged to a child.

~Slender, with fair skin and golden hair, just as barefoot as the troll itself. Beside him fluttered a crow with dark feathers that didn't seem willing to part from him for even a moment. They laughed. They smiled. They moved forward without haste beneath the shadow of the trees.

~It didn't look like a kidnapping. Nothing in that scene suggested fear or captivity.
~It didn't look like a kidnapping. There was nothing in the scene to suggest fear or captivity.
"Rather, it resembled a mother guiding her young through the forest, even though the troll wasn't really its mother and the child wasn't really its young. Sometimes the little one would playfully hang from the giant's tail to get its attention. Other times the troll would respond by gently nudging it with a huge finger, just enough to make it stumble. And, when both were distracted, the crow would swoop down to tug their hair before escaping with a flap of its wings.

~However, further back, among the thicket, there was another figure.

~Something heavy was moving through the trees. The faint jingle of metal accompanied each step, like the distant clanging of pots and pans. It was a knight. A hunter. Neither the troll nor the child seemed to have noticed anyone following them. The figure approached slowly, hiding among the trunks. Until the distance between them was only a few steps.

~The knight raised his spear. Even from afar, the sound of his breathing could be heard echoing inside the helmet. The steel tip gleamed for an instant in the rays of light that pierced the branches. Then... he attacked.

~The thrust shot forward. And it wasn't aimed at the troll. It was aimed at the child. Anyone would have thought that this knight had come to the forest to hunt the monster and rescue the poor infant from its clutches. But that wasn't the case. It never had been. From the beginning, his prey had been the little one.

~As the weapon descended, the troll intervened. It took the blows. It deflected the spears. It uprooted trees. It shattered shields. For long minutes, the entire forest seemed to tremble with the fight.

~And finally, after an arduous confrontation, it managed to drive away the knight. But the combat had left a wound. A stray arrow had hit the child in the arm. It wasn't a mortal wound. It wasn't even particularly serious. But when the troll saw it, something inside it broke. Its huge hands approached the child slowly, afraid to touch it. They almost trembled. Its face showed a mixture of anguish, fear, and a confusion so deep that it seemed to be clearly readable in its eyes.

"I stopped him. I hit him. I pushed him away. Then... why are you bleeding?"

~The troll had been a wall. It had been a tower. It had been shield and sword. Everything that exists to protect, an absolute. But now blood was running down that small arm. And if the child had suffered even a little despite its efforts, then the protection hadn't been absolute. And when it understood that it couldn't be absolute, the troll concluded that it was insufficient.
~And if it had failed, what value did anything else hold?

~The child had bled. And for the troll, that alone was enough to turn every one of his efforts into failure. You watched his face, understood his sorrow—his large, dark eyes reflected his belief... that caring meant preventing every wound, every tear, every blow the world could deliver. That’s why his expression, one of disappointment in himself, emerged the moment he realized he couldn’t stop it all—he concluded he was insufficient.

. . .

~The clouds had turned gray. Slowly, they gathered over the mountains, swirling in a slow dance that darkened the sky. The forest lay behind them now. The troll, the child, and the crow now walked along stone paths winding along the mountainside, following an ancient trail climbing ever higher, barely visible among the grass and boulders.

~But soon they encountered an obstacle.

~A deep chasm opened between two cliffs, splitting the path into two halves. Below, shadows concealed the abyss’s depths. There was no other way. They had to cross.

~Without a word, the troll lifted the child and placed him on his shoulders. The little one clung to his head with trust, while the crow took flight above them.

~Then the sky roared.

~First, a distant thunder. Then another. White lightning tore through the clouds like cracks of light, and soon after, rain began to fall. At first, just a few drops. Then the storm arrived.

~The wind rushed down the slopes with a fierce whistle. Rain pelted the rocks, the trees, the skin of the travelers. For hours they advanced through that downpour, and all that time the troll did everything he could to protect the child. He shielded him with his enormous arms. He hid him beneath his body when the wind grew stronger. He walked through the rain so not a single drop would reach him.

~And they kept walking.

~Step after step.

~Thunder after thunder.

~Until finally they found shelter among the rocks.

~There, protected from the storm, the troll looked at the child. His cheeks were flushed from the cold. His hands trembled slightly. Yet the little one looked up—and smiled.

~But the troll did not.

~He had tried to stop the wind. He had tried to stop the rain. He had tried to stop winter itself. But no living being was ever meant to be a wall against the world. Not even a giant. Nature cannot be stopped.

~And once again, he felt that same defeat.

. . .
No.7310
Hessonite-ef8da9 Rolero
No.7311
Hambergite-47a61e Rolero
No.10231
Cancrinite-d97fa0 Rolero
>>7311
>Creo que nunca lo usaste kek, pero si piensas puedes hacer cosas creativas con esa habilidad.
No, nunca la use y no soy un negrito creativo aparte que siempre que intento ser creativo, algo explota
Anyways, ¿Puedo meterme a la pelea de inmediato o debería mandar turno y esperar a que me la introduzcas?
Pregunto para ver si adelante un poco y tiro dados o no aunque tampoco es como si pudiera mandar turno ahorita ya
>Aldo
Pregunta varias:
<¿Qué tanto puedo abusar de esponja?
Por ejemplo, digamos que Hurr absorbe daño y no lo devuelve durante la pelea que lo recibió. En la siguiente pelea, ¿Puede soltar todo ese daño o se reinicia completamente la habilidad?
<¿Puedo activar más de una vez esponja durante la pelea o solo una?
Pregunto por si acaso
<¿Robustez rocosa le hace counter a los efectos de esponja?
Me imagino que si, porque robustez cancela el daño, por tanto, Hurr en teoría no recibe ni un poco de daño.
<¿Cuál es la vida y evasión de Hurr?
También las de Misella
<¿Cómo funciona evasión?
Creo que siempre uve dudas de esto pero nunca pregunte.
No.10232
Topaz-1e6684 The Clash
>>7257
>>10232
>Exactly in the lung cancer branch
It's time to abandon mortality and lichemax my nigga. Or take better care of yourself, that also works, before it's too late.
>Summary of what happened?
Well, as the other nigga said, everyone had their psychotic dreams and then left with the sunlight, dragging the brothers on a raft that Pupus made with a youtube tutorial. The girl, West, and Manat had a little adventure on a boat looting goods and Pupus, Eirim, and Gerardo fought against the boss who almost broke them, an iron rank that's wandering around like a zombie or something from human determination. Now these two groups would be fighting against this Khris.

Tabla isn't here because she got lost on the way, now interacting with a bald cultist, the goblins of the same, Jelou who had gotten lost before everyone woke up, and also here is Barroco's head, a character from the first party who was resurrected by the bald guy.

The only thing I could point out as pending was that Manat gave that elephant figure to Misella before he fell asleep, although it's not too relevant in the end.
>Well, know that my exquisite refined tastes don't end there
Based. One has to be true to oneself.
>cuck fuck
~~https://youtu.be/OjNpRbNdR7E?si=-oU56eQPqv1A4adU~~https://youtu.be/5nayhQL2TFA?si=dkTfmyBumrzdoePSHurr has the bone structure and chi flow of a kung fu genius, it's his duty to put in 14 hours a day in the rice field save the world.

>>7258
>If it was so effective, I should have been cursing people to win the World Cup
BREAD AND CIRCUSES. This year it's a European country's turn to win according to my sources.

>>7309
>>10231
Thanks for the video and take your time, sleep your eight hours, drink water. And remember that for one of rice there are two of water.
No.10323
Sugilite-b24a7c Rolero
>>7015
>Tabaladalabladablandaba
Excuse the delay and the very poorly written turn, I was violated by urban life
-The goblins with the bald guy were going "full speed ahead". Yes, they had advanced at great speed while you accompanied them inside the finger tree. And when you escaped to hell, they continued at that pace quite quickly. Although if you paid a little more attention to them, you could notice things like, their feet were barely underwater, when in reality, this pentane in this part is much deeper. Maybe not for the bald guy, but for the goblins. It was as if they were standing on another surface.

-If you looked a little (or not), you would notice that they were "walking" on top of a pile of fingers, like the ones that trapped you. Meaning the bald guy made a conveyor belt for them with his magic. Like escalators, but on the ground, in large airports, But those details didn't matter, because you managed to get out of your cage, break a rib, and escape through the swamp, leaving obvious splashes in the muddy water, which, to your surprise, they ignore, and continue on their way.

-....

https://youtu.be/tE_oe67oOdg-Now you were alone in the swamp.

-The characteristic sound of the "PLOP" of the cap coming out of the small bottle echoes in the swamp, and you take a little of that potion..... It was bitter as hell, it didn't have that characteristic strawberry taste.... It was definitely expired, because you barely feel that something healed, what? Who knows, but something healed.

-The occasional mosquito buzzes near your ears, and the croaking of frogs in this part of the swamp was louder... You also hear a bird, like a crow? Or something like that, cawing in the distance, but you can't really see it. This part of the swamp felt more alive, but in a good way. Maybe the presence of that super predator from before keeps other dangerous creatures at bay, although not too far away, those deformed creatures were there, so who knows.

-What was also noticeable was that feeling of loneliness around you, only covered by the life of the surrounding animals.... And a branch breaking. Then you walk, where? In the direction of the bald guy. Why? Who the hell knows.
-Little by little as your steps advance, the water level begins to lower, going from knee-high to calf-high. And before you know it, the water barely reached your ankles Don't ask me why, I forgot the existence of this word, I spent hours kek. Until your walk is stopped by a piece of wood, almost crashing into it if you weren't paying attention. It was a huge post, one or two meters wide, round like a trunk, but sanded and carved with bullshit. Like demon faces, with teeth and eyes, they were quite well made, honestly. It was about 5 meters tall, and some strips of colored cloth tied at the tip, which moved with the wind. There were some small bells attached to the strips of colored cloth, making faint tinkling sounds with the movement.

https://youtu.be/CFyyGcARA0Y-Behind it, finally... dry land. A strong breeze begins to blow for a few moments, you noticing the sound of several small bells in the air, and indeed, in the distance, you could see some posts identical to this one, as if they were marking the terrain or something. Your path continues on dry land, this time not so muddy and with rotten vegetation, it was more like normal earth, with grass, although there was still moisture in the bushes and trees.

-After about 10 or 15 minutes walking by instinct towards where you would think the Bald Guy would be, you notice how the view of the horizon is suddenly cut off, indicating that the ground level dropped in a rather steep slope about 1 KM ahead of you (not letting you see what was there, because it was at a very low height, or maybe there was a ravine, who knows), but that wasn't what really caught your attention, but rather, in that Kilometer from you to the horizon, there were hundreds, or thousands of small posts, stuck in the ground. Hundreds of thousands occupying kilometers from left to right in that wasteland.

-You pass between them, it was strange, as if they were thousands of improvised graves, some quite old, others made not long ago. When you manage to cross that kind of cemetery, you reach the edge, and you see how the slope drops considerably until it reaches a valley. There, in the distance, you see a large Goblin camp. Wooden walls, a large bonfire in the center, several huts with their respective armed goblins, and several ARGD banners. Some guards at the entrance, and near the bonfire, the Bald Guy was doing who knows what. And beyond the camp, about 10KM away, you notice it.... That enormous city.

-You feel an enormous weight, the magnitude of such a structure, pressing down on your shoulders, as if it would all fall upon you and crush you. Like an insect before a building. You, mere mortal, could only contemplate with your tired eyes the vastness before you.
-The same terracotta structures, in some sectors worn down to show the natural color of fired clay and in others still covered by a red ocher or white lime pigment, rose as if they were the very walls of the world. There was no wall protecting the city, because the city was the wall. A cyclopean mass of hardened mud and wood darkened by countless centuries formed a single colossal structure, so vast it seemed to rise directly from the mountain, as if the rock itself had been sculpted into that impossible shape. Its facades ascended in immense rectangular steps, gigantic blocks superimposed one upon another, receding and advancing with an order that made it impossible to comprehend where one building ended and the next began. Everything seemed to be part of a single immense organism, a single endless construction that stretched from one end of the horizon to the other.

-Hundreds... no, thousands of small windows perforated those monumental walls. All identical, narrow, deep, framed by thick borders of dark wood carved with shapes that could barely be distinguished from that distance. Rows continued one after another, level upon level, repeating with an almost sickening precision until they were lost in the distance. The more you tried to follow them with your eyes, the more they appeared. It was like looking at a beehive built for giants. Your eyes scanned entire kilometers of facades without ever finding an end. The city didn't seem to end..... it simply continued to exist beyond where the gaze reached, devouring the horizon line with that immense geometry of terracotta, muted reds, and ocher tones consumed by the centuries.

-Countless wooden posts protruded from the rooftops, tall and slender, some leaning from the weight of years, others perfectly straight, crowning the city like a forest suspended above the constructions. From them hung long strips of faded cloth, hundreds of them, perhaps thousands, stretching slowly in the wind. Some retained traces of a deep blue, others barely held a muted red, a dirty yellow, or a white aged to the point of blending with the dust. From a distance they looked like simple patches of color floating above that immense mass of terracotta, but as they moved all at the same time, they gave the impression that the city was still breathing.
-The immensity of the place made any reference of scale disappear completely. Windows that looked tiny surely measured several meters high. Dark wooden balconies jutted out from the facades like small suspended boxes, supported by thick carved beams that had borne an impossible weight for centuries. Some parts advanced into the void forming enormous stepped terraces, others retreated into deep shadows where light never seemed to reach. Everything was built with brutal solidity, without any delicacy, designed to remain immobile for millennia. There were no elegant towers or spires reaching for the sky, square, massive forms predominated, enormous superimposed volumes whose mere presence conveyed a sense of absolute permanence, as if the city had existed before the very mountains that surrounded it.

-And those mountains... ended up embracing it on both sides, rising like giants of bare stone that enclosed the metropolis in an immense natural gorge. The outer edge of the city did not descend into a valley, but fell directly into the void. A colossal cliff opened up next to the last constructions, disappearing hundreds of meters below into shadows where not even light seemed to dare to enter. From one of the ends, an old rope bridge began, so absurdly small in front of such an architectural monster that it looked like a simple forgotten thread over a mountain. Its aged ropes slowly crossed the abyss until they disappeared at the edge of the other side (i.e., where you and the camp are).

-And yet, if you used your 4 black brain cells you would realize that it was impossible to ignore the contradiction.

-It was enough to stop for a moment and think a little to remember that from above, seen from the elevator... absolutely everything was a swamp. Stagnant water as far as the eye could see, twisted trees, roots sunk in the mud, humidity, fog, and a sky that barely managed to pierce that ocean of rotten vegetation. The whole world you had traveled through to get there was an immense, endless marsh.

-Then... why from here did you contemplate a mountain range of bare rock? Why did that city rest on the edge of a precipice, surrounded by dry mountains and stone walls that could never have existed under the swamp you had just crossed? It wasn't a simple difference in landscape, it was a direct absolute incompatibility. Both places could not occupy the same space. The very logic of the terrain denied each other, and yet, there it was. It was as if two different worlds had been superimposed one on top of the other without bothering to make them match.

-It doesn't make sense, but the city was still there, and it's not like you could do much about it.
No.10340
Sugilite-b24a7c Rolero
No.10445
Hessonite-ef8da9 Rolero
>>10232
<How much can I abuse sponge?
If combat ends it resets, it's still lv 1.
<Can I activate sponge more than once during a fight or only once?
3 times per combat like the other abilities.
<Does rocky toughness counter sponge effects?
No, you can do a combo. Since you take the hit, but it doesn't damage you because of mewing.
<What is Hurr's HP and evasion?
HP: 150/150
Evasion: 9/9
>Misella
75/75 Although when it levels up it has more
11/11
Faith 0/0 20/20
Pus 10/10

<How does evasion work?
It's an ugly copy of DnD. the 1d20 is accuracy. If your Evasion is 9, all accuracy 9 or higher damages you.
No.10446
Sugilite-b24a7c Rolero
No.10447
Hessonite-ef8da9 Rolero
No.10448
Hessonite-ef8da9 Rolero
No.10449
Hessonite-ef8da9 Rolero
No.10450
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